In lieu of an abstract, here is a brief excerpt of the content:Reifying Relevance in Mild Cognitive Impairment:An Appeal for Care and CautionJanice E. Graham (bio) and Karen Ritchie (bio)KeywordsAlzheimer’s disease, construction, dementia, market forces, mild cognitive impairmentWe thank the reviewers for their thoughtful comments that probe shadowy areas in our argument, and we welcome this opportunity to elucidate our position. First, we are not repudiating the natural and social facts of pathologic brain degeneration and the physical and cognitive impairments (...) that manifest in people affected by dementia disorders. We are, however, questioning the epistemology, politics, and persistence by some to harden the construct of mild cognitive impairment (MCI) prematurely as a "natural" precursor to dementia. We suggested insufficiencies in viewing MCI as prodromal to Alzheimer's disease (AD; Graham and Ritchie 2006, 36), and pointed to evidence for the prognostic irrelevance of some MCI subcategories (35). The commentators have read our manuscript as suggesting that AD and MCI are different kinds, and that a diagnosis of AD is more "real" than that of MCI. But AD is also fraught with classification issues, as we describe in the section of our paper that deals with consensus committees, published practice guidelines, and the determination of treatment efficacy. Like MCI, AD is a heterogeneous condition, but unlike MCI, AD is a constructed practical kind that does some "work" beyond essentialist (neural degeneration, brain atrophy) claims. Its criteria identify people with well-defined dementia symptoms and multiple cognitive and functional impairments who are in need of, and benefit from, support. Even with these criteria, however, there have been great attempts to achieve definitional accuracy in dementia diagnoses. Practical refinements to the differential diagnosis of dementia based on solid research evidence have made way for more specific recognitions of vascular dementias, dementia of the Lewy body type, and other subtypes beyond AD. So AD too has been subject to more careful, more cautious operationalization in recent years, with research supporting multiple factors and the comorbidity of several types (kinds) of dementia in any one individual.Our paper takes up concerns that are not resolved for dementia and suggests that the nascent category of MCI is still so insufficiently defined as to be ambiguous, and as such, is in danger of identifying individuals with what will be, and has [End Page 57] already been, linked to a debilitating and deeply stigmatizing and fatal disorder (AD). We are not contesting the reality that some people begin to display early signs of cognitive loss, nor are we suggesting that symptoms be ignored; as researchers, we stand behind the careful tracking of symptoms and signs in patients and research participants as an essential clinical and research practice. In a era where the public has been made wary of the potentially fatal effects of new treatments whose more careful scrutiny in specific populations would have saved lives (e.g., Fontanarosa, Rennie, and DeAngelis 2004; Psaty and Furberg 2005), and made all the more popular by what Kramer coined "diagnostic bracket creep" (1993, 15), we are questioning the drivers and value of a premature diagnostic classification whose definitional accuracy is neither sufficient nor effective for specific identification of individuals.That matters of fact are constructed does not take away from their natural fact. Some people have subjective reports or show objective evidence of cognitive decline while having preserved activities of daily living—the construction of this evidence indicates they are not normal and they are not demented. Based on such evidence, where then does the balance of probability for MCI lie? A multidisciplinary international group of experts gathered in Stockholm in 2003 to discuss MCI concepts (Winblad et al. 2004). They acknowledged that the heterogeneous etiology of MCI contributes to "some confusion concerning the specific boundaries of the condition", stating that this "not normal, not demented" condition is nonetheless "useful both clinically and as a research entity" (p. 241). Importantly, they concluded that MCI needs "better definition" (p. 246). It was at this stage that we first wrote our manuscript, and in the subsequent two years we have eagerly awaited new studies, and the recognition of flexible, practical subtypes to evolve.We state "that MCI cannot be considered to be a separate clinical entity" (Graham and... (shrink)

Neither Peirce’s thought in general nor his semeiotic in particular would appear to be concerned with ‘society’ as it is generally conceived today. Moreover, Peirce rarely mentions ‘society’, preferring the term ‘community’, which his readers have often interpreted restrictively.There are two essential points to be borne in mind. In the first place, the epithet ‘social’ refers here not to the object of thought, but to its production, its mode of action and its transmission and conservation. In the second place, the (...) term ‘community’ is not restricted to the scientific community, as is sometimes supposed. On the contrary, it refers to the ideal form of a society, which he calls ‘the unlimited community’, i. e. a group of people striving towards a common goal.Furthermore, Peirce’s semeiotic has been put in doubt as capable of providing a model for communication, the basis of social, dialogic, thought and action. The aim of the present article is to show that semeiotic, funded as it is on Peirce’s three categories, which define and delimit the ways in which man perceives and represents the phenomena, can provide a comprehensive model for the analysis of all types of communication in all social contexts.Finally, in this domain, as in others, Peirce was a forerunner, with the result that his thought has often been misunderstood or forgotten. In addition, he was pre-eminently a philosopher, thus his work has been neglected in other disciplines. The elaboration of other triadic systems, such as, notably, that of Rossi-Landi, shows that the tendency of semiotics in general is to move away from the former static, dyadic model towards that involving a triadic process. This trend, with which Peircean theory is in harmony, has been sharply accentuated in recent years, but often lacks a philosophical justification for its assumptions, which Peirce provides. (shrink)

ICTs, personal data, digital rights, the GDPR, data privacy, online security… these terms, and the concepts behind them, are increasingly common in our lives. Some of us may be familiar with them, but others are less aware of the growing role of ICTs and data in our lives - and the potential risks this creates. These risks are even more pronounced for vulnerable groups in society. People can be vulnerable in different, often overlapping, ways, which place them at a disadvantage (...) to the majority of citizens; Table 3 in this guide presents some of the many forms and causes of vulnerability. As a result, vulnerable people need greater support to navigate the digital world, and to ensure that they are able to exercise their rights. This guide explains where such support can be found, and also answers the following questions: - What are the main ethical and legal issues around ICTs for vulnerable citizens? - Who is vulnerable in Europe? - How do issues around ICTs affect vulnerable people in particular? This guide is a resource for members of vulnerable groups, people who work with vulnerable groups, and citizens more broadly. It is also useful for data controllers1 who collect data about vulnerable citizens. While focused on citizens in Europe, it may be of interest to people in other parts of the world. It forms part of the Citizens’ Information Pack produced by the PANELFIT project, and is available in English, French, German, Italian and Spanish. You are welcome to translate this guide into other languages. Please send us a link to online versions in other languages, so that we can add them to the project website. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Welcome To The Pharmacy: Addiction, Transcendence, and Virtual RealityAnn Weinstone (bio)1. The Question of Addiction and TranscendenceIt has become a truism to say that virtual reality (VR) is addictive. Case, the protagonist of William Gibson’s Neuromancer, dreams of connection to the net like a junkie jonesing for a fix. In Jeff Noon’s novel Vurt, you get to cyberspace by tickling the back of your throat with addictive, government-produced feathers. (...) Verity of Kathleen Ann Goonan’s Queen City Jazz sports nanotechnology implants that compel her to enter virtual worlds into which she sinks with feelings of deep bliss. As in Vurt, in Pat Cadigan’s Synners, everything’s an addiction: cyberspace, people, rock and roll.But let’s move away from fiction. Graphic cyberartist Nicole Stenger, a self-professed neo-Platonist, writes, “[a]nd what if the passage to a new level of humanity actually meant abolishing indeed the natural one, or at least some part of it?... Will it not require immense effort to recover from this enhancement of the senses, from this habit of perfection? [Stenger 57]. Michael Benedikt, editor of Cyberspace: First Steps, deems VR “a new and irresistible development in the elaboration of human culture and business under the sign of technology” [1; my emphasis]. Ad copy for “Origin,” a VR game, reads, “You must die to learn how to live.... Death is not an option. It’s an addiction.” And an article in the New York Times titled “The Lure and Addiction of Life on Line” displays a graphic of a bespectacled male, tapping away at a computer located inside of a panopticon-sized rendering of a globe to which the avid user is happily chained [see Asciu]. From advertisements to scholarly texts, it is difficult to find any writing about VR that does not engage in and, as I will argue, rely upon the rhetorics of addiction. William Gibson dubbed cyberspace a “consensual hallucination.” That was 1984. In 1996, critic Robert Markley rechristened VR “a consensual cliché” [56]. Surely, the “addictiveness” of cyberspace contributes to the sense of tired familiarity. My question is this: Why does cyberspace have to be addictive? What work is addiction doing in discourses of virtual reality?In this essay, I’m concerned with the production of what might be called hyper-real transcendence. Jean Baudrillard, in his influential schema “three orders of simulacra,” identifies a first, “natural” order in which “a transcendent world, a radically different universe, is portrayed... in contrast to the continent of the real” [309]. I propose that a third-order, hyper-real, transcendence has survived the collapse of the distance between the model and the original. This transcendence relies on rhetorics of disembodiment, [End Page 77] immortality, and extra-human reproductive and generative powers within virtual spaces. Such spaces include scholarly and technical essays about VR or cyberspace, science fiction, advertisements for VR games, VR game narratives, and other advertising copy that borrows from current discourses of virtuality. My discussion takes place in a field crowded with talk of the death of logocentrism and the end of phonocentric culture. 1 Derrida has written that “scientific language [e.g. computer code] challenges intrinsically and with increasing profundity the ideal of phonetic writing” [Grammatology 10], the logocentric relation of voice to mental experiences. Baudrillard writes mournfully that the “third-order” world of simulated simulacra, of hyper-reality, leaves “no room for any kind of transcendentalism” [310]. Baudrillard and Derrida write with differing affects of the same effect—the waning or death of the foundation of Western notions of transcendence. In this tradition, transcendence commences with the penetration of the self by a supra-enlivened Other, whether that other be a king, a god, nature, the voice of logos, the Law, or an abstracted version of vitality itself. Particularly, I question the persistent coupling of rhetorics of transcendence with rhetorics of addiction. My initial point will be that following the established Western logocentric tradition, rhetorical relationships of addiction between VR users and VR narratives are the “software” with which hyper-real transcendence is produced and sustained. In other words, VR demands, as the price of transcendence, that the user become of the medium... (shrink)

This book is a collection of papers related to a workshop organized in Geneva in January 2017, part of a big event celebrating the centenary of Ferdinand de Saussure's famous "Cours de Linguistique Générale" (CLG). The topic of this workshop was THE FIRST PRINCIPLE, stated in the second section of the first part of the CLG entitled: THE ARBITRARINESS OF THE SIGN. -/- Discussions are developed according to the three perspectives presented in the call for papers: -/- (1) The details (...) of the formulation of this principle in the CLG, its proper place (cf. the following sentence of section 2: "No one disputes the principle of the arbitrariness of the sign, but it is often easier to discover a truth than to assign it its proper place"). Discussions about the question of arbitrariness of the sign in works by Saussure before the CLG are also welcome. -/- (2) How the arbitrariness of the sign has been formulated and stressed before the CLG by people other than Saussure, in particular, but not exclusively, by people of the second part of the 19th century. Three important names: Boole, Peirce, Bréal. -/- (3) The import and value of this principle and the criticisms it received after the publication of the CLG. Special focus will be given to the opposition between arbitrary sign and symbol (as characterized in the CLG: "the symbol is never arbitrary; it is not empty, for there is the rudiment of a natural bond between the signifier and the signified") in the context of mathematical and logical languages (visual reasoning), traffic signs and pictograms (cf. Neurath's Isotype), typefaces (cf. the work of Adrian Frutiger). (shrink)

My goal, in interpreting Arendt’s analyses of the polis – both modern and ancient – is to conceptualize the role that ‘healthy’ public spaces can play in modern cities. What distinguishes my interpretation of her work is how I integrate her seminal conception of a philosophy of natality in the constellation of elemental concepts: labor, work, and action, as a way to understand the rise and fall of Detroit and to set the possible horizon for its reincarnation as a ‘sustainable’ (...) and flourishing city beautiful. For me, it is precisely this conceptualization, as a philosophy of natality, that enables us to better identify the metaphysical and political foundations of her ideas about the polis and its possible pragmatic application for recreating public spaces in other modern, cosmopolitan cities. I end up considering what it means to become “native to a place” in the sense that was adopted in the rebirth of the River Rouge Complex and just what that has to do with the emergence of the barrio of Mexicantown in Detroit as a quintessential sign of successful city living and a sign of hope for a brighter, more beautiful future. (shrink)

In 2017, Empedocles: European Journal for the Philosophy of Communication published an article by Adrian Pablé, an integrationist linguist, which considers the contribution that Roy Harris’ theory of sign can make to communication theory in terms of the constitutive metamodel of communication theory. This brief response to that contribution concludes that integrationism is a useful but limited perspective and that its claim to exclusive validity should be rejected by communication theorists.

In this guest column, Epstein offers “a new sign” that, he argues, resolves difficulties that have arisen in many theories and practices, including linguistics, semiotics, literary theory, poetics, aesthetics, ecology, ecophilology, eco-ethics, metaphysics, theology, psychology, and phenomenology. The new sign, a pair of quotation marks around a blank space, signfies the absence of any sign. Most generally, “ ” relates to the blank space that surrounds and underlies a text; by locating “ ” within the text, the margins are brought (...) inside and can become the focus of attention. Not only the margins but also the material background of a text (the page or screen) can be brought forward and focused on through the transparency of the sign “ ”, in which case “ ” becomes a sign of itself. Consubstantial with its medium, therefore, this sign is both relative and universal: “ ” is the same everywhere, on every surface, in every language, and also in the arts. Epstein analyzes works by Rauschenberg, Malevich, Ilya Kabakov, and Vasilisk Gdenov in the visual arts, as well as music by John Cage, to demonstrate the usefulness of his new sign for aesthetics and art criticism. Each discipline, he argues, has its own nonspeakable conditions and assumptions that it needs to bring inside disciplinary frontiers. At the frontier of language, “ ” is both inside and outside, and therefore can express the nonspeakable condition of speakability. In concluding, Epstein suggests that the task of the avant-garde in theory today is to develop a “negative semiotics”: a semiotics of nonsigns, modeled on negative (apophatic) theology. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Jesus Becoming Jesus, Volume 2, A Theological Interpretation of the Gospel of John: Prologue and the Book of Signs by Thomas G. WeinandyDaniel A. KeatingJesus Becoming Jesus, Volume 2, A Theological Interpretation of the Gospel of John: Prologue and the Book of Signs by Thomas G. Weinandy, O.F.M. Cap. (Washington, DC: Catholic University of America Press, 2021), xviii + 484 pp.This is an unusual biblical commentary. (...) By his own account, Fr. Weinandy had set out to write a fully orbed systematic theology. While in the process of giving a "respectful nod to Scripture" as a prelude to his systematic study, he found himself caught up and engrossed in the biblical text—and never managed to extricate himself. Changing course, he decided to write "a theological or doctrinal interpretation of the New Testament." Volume 1 of this effort covers the Synoptic Gospels (2018). In this second volume, Weinandy turns his attention to the Fourth Gospel, his aim being "to discern the theological and doctrinal content of John's Gospel" (x).Perhaps the most unusual quality of this study is the complete absence of any secondary literature. Though the author has read commentaries on the Gospels, both ancient and modern, he chose not to consult any other scholars (or ecclesiastical writers) in composing this doctrinal commentary. Given his focused aim—a theological and doctrinal study of the Gospels—he wanted to avoid getting caught up in contemporary scholarly exegetical debates. And so there are no footnotes to secondary sources (a thing probably welcome to many readers).Weinandy alerts the reader at the start concerning his particular approach to this study of the Gospels. Fascinated throughout his career as a systematic theologian with the notion of "act" (and especially with God as "pure act"), he approaches the Gospel narratives primarily from the perspective of Jesus's actions. Specifically, he intends to explore how Jesus "enacts" [End Page 738] his name, "YHWH-Saves," through the saving mysteries revealed in the narrative of the Gospels. Thus the title of his multi-volume work, "Jesus Becoming Jesus," serves as the overarching theological theme of the entire effort. This is how he explains his methodology of "act" and "enactment" in his first volume: "Jesus more and more becomes Jesus in act through his saving acts; he becomes more and more the Savior. He definitively becomes Jesus-in-act with the actions of his saving death and resurrection, which will find completion when Jesus comes in glory at the end of time" (xix). With such attention given to Jesus's actions, Weinandy admits that Jesus's teaching does not receive the same attention. It is not that he ignores Jesus's words, but they function primarily as pointers to Jesus's acts.And yet in another sense, the endpoint of this commentary is to show the Trinity-in-act. "The Father is fatherhood fully in act; the Son is sonship fully in act; and the Holy Spirit is love fully in act. This threefold perichoretic act is the one God fully in act" (xiv). As Jesus progressively enacts his name and identity, so too are the Father and the Spirit revealed according to the "acts" that reflect their hypostatic identities. A consistent feature of this commentary is the sustained attention given to how the Father and the Spirit are involved in the saving actions of Jesus, the Word made flesh. Congruent with this view of the Trinity's perichoretic act, Weinandy often adopts what might be called a "perichoretic syntax," whereby he presents a single reality from the distinct perspectives of the divine persons, restating the same truth in mutually enhancing ways. This grammatical-syntactical style of the commentary is admirably suited to its theme.If we are looking for parallels to this theological-doctrinal approach in the Christian tradition, the commentaries on the Gospel of John by Cyril of Alexandria and Thomas Aquinas come to mind. Like Weinandy, they each work through the Gospel text passage by passage, explaining the meaning of each section, but they are characterized by an overarching doctrinal concern: to present the entirety of the Christian faith through the words of John's Gospel and to... (shrink)

This is a welcome volume. The many footnotes of praise for Iris Murdoch’s philosophical work were for many years not matched by actual discussion of it. This collection, long incubated and containing essays by many well-known figures with a continuing interest in Murdoch’s work, is one of several recent signs of this imbalance’s being righted. Anyone interested in Murdoch’s philosophical thinking—spilling over into ways it informs her novels—will find plenty to engage him here. A ninety-two page introduction by Justin (...) Broackes gives us a carefully plotted historical context for appreciating Murdoch’s work, detailed summaries of her main philosophical writings, and also fertile, wide-ranging, and .. (shrink)

It is one sign of the lack of understanding of the value of the humanities, to educational research and inquiry as well as to our world more widely, that such justifications of them as are offered frequently take a crudely instrumental form. The humanities are welcomed insofar as they are beneficial to the economy, for example, or play a therapeutic role in people's physical or mental well-being. In higher education in the UK, they are marginalized for similar reasons, on the (...) grounds that they neither appeal to the lucrative overseas student market nor constitute a significant source of grant income from research councils, industry, or other funding sources. While their place in educational research is still defended in many quarters, the increasing demand that research should have “impact” can leave the humanities appearing ineffectual. Furthermore, the very idea of research is widely taken to mandate empiricist and “scientific” approaches. Although there are no easy solutions to this state of things, Richard Smith argues in this essay that those of us who value the humanities in and for themselves might adopt two approaches in particular: to pursue vigilant criticism of the rampant instrumentalism and scientism of our time, and to emphasize the importance of that distinctive feature of humane inquiry: interpretation. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Knock at the Door: Utopian Dreams for Post-Covid TimesPedro Mora-Ramírez, María Amo-Hernández, and Paula García-RodríguezAnswering the Knock at the Door, Welcoming Utopian Futures, The Knock at the Door: Utopian Dreams for Post-Covid Times, May 21–24, 2023, University of Huelva, Spain, and University of Calgary, CanadaThe COVID-19 pandemic has fostered new adversities and vulnerabilities, prompting reflection on the economic, social, and political paradigms that endanger human and nonhuman (...) lives. For many, it was anxiety and uncertainty that “knock[ed] at the door”; for others, however, those same feelings of unease prompted one of hopefulness: reflecting on the possibilities for resilience and regeneration in the process of changing our vision of the world.1 The Knock at the Door conference brought contemporary utopianism to the forefront of thinking about how to respond to global crises while remaining attentive to other adversities of daily life. Scholars and artists answered the knock in an attempt to examine paths toward utopia, and to take advantage of the regenerative and resilient potential of the present.The conference was the culmination of author/activist Larissa Lai’s fellowship period at the University of Huelva. The 2022–23 María Zambrano Fellowship for the academic year2 allowed Lai to complete the project “Utopian Dreams for Post-Covid Times,” carried out in collaboration with the Huelva research group led by Professor Pilar Cuder-Domínguez, who hosted a number of online and in-person seminars on speculative fiction with Lai. The Knock at the Door conference, marking the end of Lai’s fellowship, created yet another space for scholars, artists, and critics to discuss the potential of utopian narratives. Lai asks: “What does our cultural moment require, and how can we get where we need to go from where we are? How can literature, especially speculative fiction literature, help us get from here to there?”3 [End Page 641] The intention of the conference was to encourage others to continue Lai’s work on how to imagine futures where human and posthuman beings need to remain vigilant to adversities. Utopian scholars, among others, might find the complications of “getting there from here” closely related to Lai’s conception of “insurgent utopias,” or “emergent insurgency.” They could find Lai’s concept of “insurgent utopianism” interesting as it lays the foundations of futurity in terms of crisis responses.The aim of the conference was to explore the imagination of better futures through utopian thinking and practice. In addition, it focused on “the knock at the door,” which is “a moment of contingent arrival... open to cooptation, destruction, bastardization, incorporation, death, or defusal.” Yet, it presents “the powerful possibility of critique—narratively or discursively, in its very materiality.”4 One way of doing this might be to look back at the past century of utopianism and ask who or what has been missing. The conference took up Lai’s idea of insurgent utopianism as a method of paving a path toward a multitude of dreams and actions, all shaped by the unique circumstances of one’s positionality.After the COVID-19 pandemic, the need for utopian thinking has become more pressing than ever. New horizons of hope must be created in the face of emerging anxieties. In a world where anthropocentrism is showing signs of its deadly potential, conference participants reflected on the relevance of the utopian imagination to political resistance and resilience building.Utopian Visions: Contesting Better Worlds in Neoliberal and Feminist UtopiasThe first two panels of the conference addressed the critique of two dominant theoretical (and interrelated) frameworks: capitalism and neoliberalism. Speakers reflected on both in light of theoretical interventions by theorists Rosi Braidotti and Francesca Ferrando. Panelists Benjamin Ghan and Marc Lynch reflected on how creative writers envision ideal worlds and temporalities. In Ghan’s view, utopian narratives create a symphony of voices historically excluded from the category of “the human”: women; LGBTQ+ people; Indigenous peoples. In a similar vein, Lynch described his own novel, A Wasp’s Waist, as highlighting the impossibility of imagining utopias within the capitalist paradigm—and thus the necessity of imagining futures beyond capitalism, and beyond... (shrink)

Although the push to get universities to accumulate IP by commercializing their scientific research was a conscious movement, dealing with the blowback in the form of contracts over the transfer of research tools and inputs, called materials transfer agreements (MTAs), was greeted by universities as an afterthought. Faculty often regarded them as an irritant, and TTOs were not much more welcoming. One reason universities could initially ignore the obvious connection between the pursuit of patents and the prior promulgation of (...) MTAs was a legalistic distinction made between intellectual property and contract law, which of course is of direct concern to a lawyer, but should be less compelling for anyone trying to understand the big picture surrounding the commercialization of academic science. However, as a subset of scientists were increasingly drawn into the commercial sphere, they tended to attach MTAs to research inputs requested by other academics; and this began a tidal wave of MTAs which shows no sign of abating. Furthermore, many IP-related restrictions have been loaded into individual MTAs, including the stipulation that the existence and content of MTAs themselves be treated as secret and proprietary. The paper closes by looking at recent arguments that the growth of MTAs has not actually harmed the research process, and rejects them. (shrink)

continent. 1.4 (2011): 253—278. A Sense of French Politics Politics itself is not the exercise of power or struggle for power. Politics is first of all the configuration of a space as political, the framing of a specific sphere of experience, the setting of objects posed as "common" and of subjects to whom the capacity is recognized to designate these objects and discuss about them.(1) On April 14, 2011, France implemented its controversial ban of the niqab and burqa , commonly (...) referred to as the Islamic veil, in public places. On the coattails of the 2004 prohibition of religious artifacts, including the less concealing hijab or Islamic headscarves, in schools, the veil ban sparked equal outrage across both political and theological spectra, and many on both sides of the debate were quick to inquire about enforcement. As Steven Erlanger reports, “The police do not have the authority under the law to remove full veils, only to fine or require citizenship lessons for those who violate the new law.”(2) While the legal and social implications of this interdiction are ripe for study, the reprisals for breaking the law, notably compulsory citizenship classes, illuminate the strategic governmentality underlying the French government's targeting of the Muslim community, particularly those elements it considers affiliated with fundamentalist factions and/or terrorist organizations, if only through fashion—an integral component of French citizenship. Indeed, in allowing the (fashion) police to mandate instructional courses in citizenship for offenders, France implies that any Muslim choosing to wear the niqab or burqa , perhaps even for those who are already citizens, must not be aware of the subtle nuances of dress indicative of the French citizenry within public space. Furthermore, the degree of instruction requisite to citizenship, which clearly can and must be updated as the state sees fit, cements the imagined relation between citizens and states within the discourses on the veil ban. As Sharma contends, “Concepts of citizenship are the ideological glue that bonds the nation to the state. Citizenship provides the legal framework through which the state performs its role as ruler for the nation.”(3) Speaking for/as the state, French President Nicolas Sarkozy declared in a 2009 presentation before members of the government and other citizens that the burqa “is not welcome on the territory of France.”(4) Although there is nothing unique, especially recently, about a nation-state taking extreme measures to guard itself against what it deems to be threats to its sovereignty, the way in which the ongoing discourses on hijab have (d)evolved, which coincide with recent pronouncements by governmental leaders in Germany, Britain, and France that policies of multiculturalism have “failed,”(5) points toward nationalist reterritorializations, which is also to say physical and ideological re-appropriations, of public space within democratic milieux, which remain predicated upon the mediation of spaces. As Panagia deduces from Rancière, “Democracy […] is not an institutional form of government […], but an appearance whose visibilities and audibilites arise out of the dissonant blur of the everyday.”(6) Ultimately, the veil ban represents a calculated move to regulate the every day, which is to say the micropolitics of, that which is visible and invisible within French society, which makes it nothing short of a struggle to manage (the sensation of) bodies. Re-situating the political within the context of sense, Rancière argues that the fundamental essence of politics lies within the distinction between consensus and dissensus , and whereas most consider politics proper as fundamentally concerned with the fluid operations of the state— consensus , Rancière actually locates the political within events that disrupt the normative sensory order of things— dissensus . He explains, “Politics revolves around what is seen and what can be said about it, around who has the ability to see and the talent to speak, around the properties of spaces and the possibilities of time.”(7) This reformulation of politics centers on agency and, albeit perhaps unintended, representationality and offers a useful formulation for spatializing the discourses surrounding the Islamic veil, which are mired within seemingly senseless policies and practices of objectification. Instituting a normative “regime of visibility,” the French veil ban encapsulates the political economy of agency, now both mediated and representational, under the rule of nationalist governmentalities in increasingly transnational contexts.(8) Adjudicating presence within public space signals a concern with the sensory aspects of agency itself—what Rancière terms the “distribution of the sensible,” which is “a matrix that defines a set of relations between sense and sense: that is, between a form of sensory experience and an interpretation which makes sense of it.”(9) To be concerned with sense is to focus upon the body, and this somatic repositioning of the (fashionable) citizen within the territory of the state augurs the resurgence of nationalist bio-politics within Europe, since, as Hage explicates, “Nationalism, before being an explicit practice or a mode of classification, is a state of the body. It is a way of imagining one's position within the nation and what one can aspire to as a national.”(10) The French government's attempt to make (bodily) sense of public space for its citizens by and through policies aimed against a burqa-clad Muslim minority, which might only apply to “less then 400 to fewer than 2,000” women(11), reveals the necessary, yet mercurial, transmutation of public space into national space through bio-political strategies of sense-making, which, as Hage observes, denotes that “nationalists perceive themselves as spatial managers.”(12) At the center of this concern over public space is the equally contentious dimension of governing female Islamic identity, which has become one of the main critiques levied against Islam from outsiders who view the veil in its various forms as a clear sign of the religion's actual and symbolic violence against women, even if such critiques remain ensconced within nationalist discourses. As Halim and Meyers argue, “Although Western news media may focus their coverage of Muslim women on the debate over whether and the extent to which the veil may by oppressive to the women who wear it, they have exhibited little interest in the physical oppression of violence against women in Islamic countries.”(13) While it falls outside of the scope of this analysis to arbitrate all of the dimensions of this debate, understanding some of the issues related to female identity and hijab within public space are crucial to this study. As these topics are extraordinarily complex, even and perhaps especially within the Muslim community, it is necessary to provide some context concerning the value, purpose, and meaning of the Islamic veil, which has a rich and arduous history. The Art of the Veil At present, there are only two countries, Iran and Saudi Arabia, that require women to wear hijab , which is a decidedly problematic term and concept whose locus is itself caught within a struggle of sensation. Noting the strategic reterritorialization of the term, Berger explains: The choice of the name, hijab , now widely adopted to designate the “Islamic veil,” it itself interesting, although the semantic shift it operates is not directly commented upon by its users. Although the design (both the cut and the symbolic function) of the hijab and the Iranian chador are indeed the same, as opposed, for instance, to the traditional Algerian haik , the word hijab has come to replace the term chador popularized by the Iranian revolution, as a properly Arabic (hence Koranic) designation. This discursive shift points to the successful reclaiming of the national revolution in Iran by a transnational pan-Islamic movement, whose language of reference can only be Koranic Arabic.(14) While the hijab is certainly a point of contention within various countries dealing with immigrant Islamic populations (of which France has the largest in Europe as part of its colonial legacy in Algeria), it is clear that the veil is a historically contextualized artifact of Muslim identity with a variety of manifestations, even as forces outside of and within Islam seek to codify its actual and symbolic value. Ultimately, the varieties of hijab , including the full-faced burqa and niqab , are complex assemblages of meaning that speak to the multitudinous flows of Islamic identities over time and space. As Gökariksel and McLarney observe, “Wearing a certain style of veil may simultaneously be a disciplinary practice crucial to the cultivation of piety (Mahmood 2005; Gokariksel 2009) and a gendered performance of social distinction in terms of class, taste, and urbanity (White 1999; Navaro-Yashin 2002; Gokariksel and Secor 2009) or of ethnicity and race (Dwyer 1999).”(15) The ideological marketplace from which the varieties of hijab ebb and flow serves both as a reflection of the ever-present materiality and dynamic functionality of spiritual economies, which are derivative of the equally ubiquitous flows of transnational capital driving agency and representationality within our historical moment. Keeping these dual, yet deeply interconnected, capital ecologies as the site of exploration for how the veil is represented within public space, one might begin to sense what lurks behind such veiled agendas. Examining the symbolic and representational nature of the Islamic “veil” in its various forms, this project situates the decidedly political contestations of public space at stake in the French ban alongside recent condemnations of multiculturalism as calculated efforts to re-distribute the sensible so as to valorize national identity within increasingly transnational and globalized socio-economic spaces, which collapse exchange values between distinct, yet interwoven, economies of (cultural/material/spiritual) capital. As the discourses on the veil rely upon representational imag(in)ings, it seems fitting to explore the political economy and art of the veil through the phenomenon of street art, which, much like hijab , is a complex assemblage of meaning of sensation mired in representationality and capital exchange. As street artists have taken up hijab in various forms, the movement offers a lens with which to situate critical responses to the veil debate across both spiritual and material economies. Situating this street art both aesthetically and historically, Lewisohn explains, “'Street art' is a sub-genre of graffiti writing and owes much to its predecessor. Though there is a good deal of crossover between the genres, they are distinct and separate in their own right.”(16) Evolving out of the graffiti explosion of the late 1970's and 1980's, street art broke the unspoken rules of the artistic underground by challenging and re-examining one's sensory experience of art in public space by experimenting with both content and form in ways that harken back to the Situationist International, which as a collective challenged one's experience of urban space through various media and experiential phenomena. Again, Lewisohn observes, “It's important to note street art's break with the tradition of the tag, and its focus on visual symbols that embrace a much wider range of media than graffiti writers would use.”(17) From stencils to prints and murals to one-liners, street artists developed a reputation for critical social and political commentary, and while it is certainly the case that not all street art is intentionally political, in challenging the normative “regime of visibility,” as Rancière puts it, of public space, street artists—even if unconsciously—call into question the common sensory experience of the politics underlying the formation of (nationalist) space.(18) Indeed, Rancière refers to the partisan sensory managers as “police,” who ultimately forge “the rules governing the circulation of appearances, of their visibility and audibility, and the proper distribution of bodies therein.”(19) As such, one can sense that street art's relationship with the police is tenous for a variety of reasons. Writing about his own experience as a street artist, Shepard Fairey observes, “With street art, there's no committee deciding whether I can put my work up on the street, there's no censorship, and I have total freedom of expression, and that concept of freedom is expressed just by using the street as a medium.”(20) As Fairey and other street artists demonstrate, the medium, to paraphrase Marshall McLuhan, is the most glaring aspect of street art's message, and even as it now finds itself in galleries and usurped by private collectors, the ethos of the movement remains relavent to politics as it is, first and foremost, concerned with the configuration and experience of space. Just as examining the punishments for breaking the veil ban can map the terrain of French politics, a representational genealogy of street artist's deployment of hijab and female Muslim identity can assist in mining the depths of public space as a site of bio-political control and contestation in light of recent events in France and the rising tide of anti-multiculturalist rhetoric across Europe, even though the Islamic presence there is radically heterogenous. Using the work of Shepard Fairey, Princess Hijab, br1, and Banksy, this paper sets out to answer a number of key questions concerning the deployment of hijab, and female Islamic identity in particular, within street art as a movement now integral to and critical of the economies of exchange underlying global capitalism, which as a force of influence cannot be underestimated as a driver in the resurgence of nationalist biopolitical governmentalities. Although there exists a litany of artists to choose from, the aforementioned quartet of designers integrate hijab into their work in a seminal and critical fashion, and all have been working with the veil in some way prior to the French ban, which grants some additional context to their usage of it as a symbol in regards to the breakdown of multiculturalism across Europe, even if unconsciously. Although each artist depicts various amalgamations of hijab in their respective corpus, they share common tropes that raise significant questions concerning the veil debate, namely: what are the conditions of possibility for hijab to become a marker of Islamic identity within public space? How can we make sense of the representational topologies within street art's utilization of the hijab and female Islamic identity in light of the French ban? How might these aesthetic imag(in)ings simultaneously inhabit and combat normative discourses concerning hijab , multiculturalism, female Islamic identity, and public space? With these considerations as a backdrop, it is first necessary to outline more fully the hijab as a representative marker of female Islamic identity. The (Veiled) Writing on the Wall

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continent. 1.2 (2011): 70-75. cartography of ghosts . . . And as a way to talk . . . of temporality the topography of imagination, this body whose dirty entry into the articulation of history as rapturous becoming & unbecoming, greeted with violence, i take permission to extend this grace —Akilah Oliver from “An Arriving Guard of Angels Thusly Coming To Greet” Our disappearance is already here. —Jacques Derrida, 117 I wrestled with death as a threshold, an aporia, a bandit, (...) a part of life. —Akilah Oliver Moraine in geological lingo is that which is left behind. Moraine- a euphemism for the de-stabilizing referent of the writer-ly body as a “troubled and troubling landscape marked by cultural and historical signifiers, the body as flesh memory [...] the body as transitory” (Oliver, Author Statement). Moraine— a geological metaphor of the poet as a holder of memory, as an accumulation of rocks and debris carried along the edge, terminal, dropped at the foot of language (in language). “Flesh Memory” according to Akilah Oliver is "that which my body recalls [...] everything has to do with the task of remembrance and its narrative reinvention [...] I was always translating an idea of the world as it presented itself at any given time. To write was a choice about how to be seen, how to enter the world as translator, actor, participant, in the dialogues that apparently made the real 'real'" (Levitsky). Flesh. Memory. The stuff some poems are made from. The stuff that gets abandoned, gleaned, and picked up by more flesh and memory. "My body, my life has always felt like a kaleidoscopic rip in the dominant fabric [...] has always been a dialogue with the impossible and the apparent” (Levitsky). The impossible-body or poet's body anticipates and performs (through language) an irretrievable death. IN APORIA I realized everything I must have been doing must have been Death. It was Christmas or Labor Day—a holiday—and every time you turned on the radio they said something like ‘four million’ or ‘going to die’.” — Andy Warhol I’m trying on egos, [a justification for the planet’s continuance]. Oh hello transgressor, you’ve come to collect utilitarian debts, humbling narrative space. Give me condition and wheatgrass, I his body disintegrating. I his body is ossification. Death my habit radius, yeah yeah. I his body can’t refuse this summons. I can’t get out this fucking room. Tell me something different about torture dear Trickster. Tell me about the lightness my mother told me to pick the one i love the best how it signals everything I ever wish to believe true just holy on my ship. I jump all over this house. this is it [what I thought is thought only, nothing more deceptive than]: I his body keeps thinking someone will come along, touch me. As like human or lima bean. I’m cradling you to my breast, you are looking out. A little wooden lion you & Peter carve on Bluff Street is quieting across your cheekbone. Not at all like the kind of terror found in sleep, on trembling grounds. It is yesterday now. I have not had a chance to dance in this century. Tonight I shall kill someone, a condition to remember Sunday morning. To think of lives as repetitions [rather than singular serial incarnations]. To understand your death is as exacerbating as trying to figure out why as schoolchildren in mid-nineteen-sixties Southern California we performed reflexive motions: cutting out lace snowflakes, reading Dick and Jane search for their missing mittens, imagining snow. Disintegrat ing . The -ing gerund catapults from the non-finite verb into past, present, future. The -ing as a tail pinned to death, a dog spinning to bite and never fully reaching itself, always shy of the end, circumreferential; a double copulative: deathing. Possessively AO calls it “habit radius” (a virtual fetish attribute) or an inescapable death presence that “confronts us with the paradox of an unattainable object [...] through it’s being unattainable” (Agamben, 27). A flirtation or dialogue with an unknowable thing and aporia utilized as investigative instrument to engage (death) while (in Southern California) we “perform reflexive motions,” cut lace snowflakes, imagine snow, and pay rent like “yeah, yeah” what else is new. And this too, fiction. The book I wish to right. The restored fallen, heroic. Did you expect a different grace from the world? Or upon exit? I’m working on “tough.” They think I am already. All ready. Who is the dead person? Is "I'm sorry" real to a dead person? Browning grass. My hands on this table. A contentious century. A place to pay rent. Redemptive moments. Am I now the dead person? Dead person, dead person, will you partake in my persimmon feast? The body inside the body astounds, confesses sins of the funhouse. I too have admired the people of this planet. Their frilly, orderly intellects. The use they’ve made of cardamom, radiation as well. How they’ve pasteurized milk, loaned surnames to stars, captured tribes, diseases, streets, and ideas too. The living-body as archive: is it possible to experience the living-body as archive without a (kind of) death? Sifting the rubble, rummaging through hoarded debris, skin sheds, memory-napping, and re-awoken (in flesh and) on terrain. “An investigative poetics seeks to unravel staid communities of thought and grasp at what might always be just beyond reach; a poetics of inquiry that lies between language as meaning, and language as rapturous entry into the world of posited ideas and idealism”( Levitsky). Something snaps. Lights blow out prior to embarking upon an investigative poetics. It begins with a question (often a sexy aporia) that leads to openings. "Every politics of memory [...] implies an intervention of the state. It's a state that legislates and acts with regard to the nonfinite mass of materials to be stored, materials which must be collected, preserved” (Derrida & Stiegler, 62). It seems poetic investigation already contains the potentiality of an (invisible) archive if the writer is “always writing” especially when not. Here’s my stupid digital romantic inclination: the living-body (of a poet) is a self-sustaining archive of non-finite memories. But not even I really believe that. AO innovated and sculpted an investigative poetic praxis. In a conversation with poet Rachel Levitsky, poetic-voice is viewed not as a precious identifier, but as a means to think through/about form, concluding that form is linked to framing. While poetic-voice may have tendency to precede form, it also erupts as a result of framing techniques. “They are frames that hold the shape of thinking (which is also to say of imagining) [...].”7 This reminds me of my rabbit who symmetrically chewed the corners of his hutch, which makes me wonder if it’s an expression of the shape of some animal anxiety tick I won’t ever have access to. Beyond the form/frame, death is an unoriginal yet unique limit; death is a damn deathless thing. It functions as a source of poetic investigation; that thing always “just beyond reach.” And how is death not a fetish (in this case an obsessive reverence for something non-material)? “Insofar as it [death] is a presence, a fetish [...] it is in fact something concrete and tangible; but insofar as it is the presence of an absence, it is, at the same time, immaterial and intangible, because it alludes continuously beyond itself to something that can never really be possessed [...] The fetish is [...] a sign of an absence, it is not an unrepeatable unique object; on the contrary, it is something infinitely capable of substitution, without any successive incarnations ever succeeding in exhausting the nullity of which it is the symbol” (Agamben, 33). AO utilized absence (the absent body [catapulted by the death of a beloved]) as an apparatus to investigate. In the process of conversing with absence or that which is absent, the absent body is affectionately objectified, incessantly summonsed back to a place of recognition, of objects, a desire for the absent body to remain intact while exiting the structural limits of grammar and syntax by moving into chant forms “to say what cannot be said” (Levitsky). from AN ARRIVING GUARD OF ANGELS THUSLY COMING TO GREET dear oluchi- the light is blinking rapidly on the black boxy machine. your room seems bigger than before and i am still planning to read some of those robert jordan books of yours. yesterday at the used bookstore where i was browsing the mysteries to “stall reality” (they are really not mysteries at all, they just employ death as the plot mistress but are unable to grasp its mystery at all)—well the point is, things were calm down here for a while and the world was little. i want to be big like you. or i want you not vast, not dead, not gone, but human small and here. i am so selfish. that is what i really want. to see you again. to oil your scalp. to hear you walk in the door, say ma i’m home . give me a chance to say welcome home son. or when leaving, don’t forget your hat . what do you wear out there? i wish you could have taken your new shoes with you. i’m so proud of you. i’m sorry for the way you died. i miss you all the time. even before, i missed you. out there, one time, some different men said: “shake for me girl, i wanna be your backdoor man.” who dat you love. 5/18/03 A letter-poem in sixteen lines “dear oluchi-” is safe-housed in epistolary form. Poetic voice is rendered as internal thought meanderings, a not-so-much confession, private/(pillow?) talk in the desire to be heard/witnessed by the referent and reader with an intent to absolve. The diminutive “i” bears a relation to poet Fanny Howe’s “little g God” in that “One of the (many) things I like about little g God is that you can have a vodka tonic while you talk to little g God, sing along to Bowie’s “I’m Afraid Of Americans,” and hum Coltrane’s “A Love Supreme,” though maybe not all at the same time” (Oliver, 2009). Towards the middle of the poem AO is at a used bookstore and remarks on the funny employment of death as a ‘plot mistress’ that ‘they’ (the dubious employed mystery authors) are ‘unable to grasp’, thereby giving death a mouthpiece, a modeling job, something to do to pass the time. from THE VISIBLE UNSEEN When I first saw graffiti, I recognized in it an ugly aesthetic, a dialectics of violence, a distortion of limbs, a hieroglyph. It was only later when I read the names of the dead that I then saw the path of ghosts charted there; its narrative of loss for the visible unseen whose place in history has been fictionalized and rendered unseen under the totalizing glare of history. Inscriptions, traces, specters. Graffiti begs a public face just as ghosts require non-ghosts (humans) to sense them. The “visible unseen” is a game of hide-and-seek between public viewer and graffiti-inscriber, an ephemeral-violent aesthetic on an ephemeral-policed canvas. Graffiti-inscribers already submit to being forgotten, expect to be washed away; perhaps it’s a holy urban mandala created by gangster-type monks without Buddhism. [...] in its refusal to disappear it forces a discourse in the public imagination we are forced to see what we would rather not, to make sense of an encoded language that we cannot read on the level of meaning. it irritates, forces its agency on us, speaks outside and beyond semiotic reach. An epic font-size pervading the public’s imagination, illegible, I could just close my eyes, remain passive, drive past, abandon it beyond reach, push it further away beyond death walls. In Barcelona I watched a clean up crew wash walls with an awesome water hose but I was more intrigued by their bodies; not a distortion of limbs, not hieroglyph but also not entirely legible; the laboring body permanently erasing specters of the city, and of course they knew it was also an invitation for the ghosts to return. Graffiti is death’s little sister, is also an aporia. [...] Graffiti (fr GK -graph(os), something drawn or written, to diagram or chart) attempts to stage the impossible: to erase the essence of its own subjectivity. Graffiti is a cartography of ghosts, a mapping of elegiac rapture (the transporting of a person from one place to another, as in heaven) and rupture (the state of being broken open.) Dwelling is a fiction stasis. [...] The notion of the past as being something done with, a look-back event, inhibits the possibility of reading graffiti as rapture, as rupture. If graffiti posits history as always in the process of becoming undone. [...] Because what is the body, if not also a complex temple, an unstable site through which to negotiate subjects, materiality, economies, gods, and modes of representations? The site where we are all already belated. Graphein meaning “to write.” “Derrida says every archive makes a law, and the law of genre is its own rupture” (Bloch, 39). However, graffiti is an (non/anti)-archive of erasure due to (the politics of) washing out its subjectivity, which only adds onto (or is symptomatic of) its character. The inhibition of “reading graffiti as rapture, as rupture” is partly due to it being a “look-back” event in that it’s process involves scratching through layers to reveal previous specters underneath. Graffiti (as an ancient genre) has always been a thing of ‘becoming undone’, and therefore ‘belated and always in arrival’ (Levitsky). It’s a Dionysian activity done at night with it’s back turned toward us. "The specter [...] is of the visible, but of the invisible visible, it is the visibility of a body which is not present in flesh and blood [...] appearing for vision, to the brightness of day [...] something becomes almost visible which is visible only insofar as it is not visible in flesh and blood. It is a night visibility. As soon as there is a technology of the image, visibility brings night. It incarnates in a night body, it radiates in a night light" (Derrida & Stiegler, 115). (shrink)

The work of Professor Kraus is more than welcome at a time in which Psychopathology has become increasingly shallow and lacking in density, content with the role of an ideal “observer” whose only ambition is an objective description of signs and symptoms in order to fulfil operational criteria which reliably bestow a place for the case under observation within the grid of diagnostic classification.

What is the nature of communicative competence? Carol A. Kates addresses this crucial linguistic question, examining and finally rejecting the rationalistic theory proposed by Noam Chomsky and elaborated by Jerrold J. Katz, among others. She sets forth three reasons why the rationalistic model should be rejected: (1) it has not been supported by empirical tests; (2) it cannot accommodate the pragmatic relation between speaker and sign; and (3) the theory of universal grammar carries with it unacceptable metaphysical implications unless it (...) is interpreted in light of empiricism. Kates proposes an empiricist model in place of the rationalistic theory—a model that, in her view, is more consistent with recent findings in linguistics and psycholinguistics. In attempting to clarify the nature of utterance meaning, Kates develops theoretical perspectives on phenomenological empiricism and produces an account of reference and intentionality directly relevant to empirically based theories of speaking and understanding. Among the major topics addressed in the book are transformational-generative and universal grammar, cognitive theories of language acquisition, pragmatic structure, predication and topic-comment structure, and empiricism and the philosophical problem of universals. An innovative and probing work, Pragmatics and Semantics: An Empiricist Theory will be welcomed by philosophers, linguists, and psycholinguists. (shrink)

One of the demands facing the church is the call for unity with Christians with profound intellectual and physical impairments. As the church becomes a community of justice with and for people with impairments, she is an instrument of God's shalom. However, too many of our sisters and brothers with impairments find themselves on the outside looking in. How can the church continue to move toward a more complete welcome and participation? Responding to this theological question precedes clinical or legal (...) concerns. The best the world has to offer is not what the church needs, though she can learn from reasonable professional approaches. The message and peace of Christ can undo the walls of separation that keep Christians with impairments out. Such a transformation would be a sign that the church is being built up in peace, and would offer a model of true communion among a diversity of people. (shrink)

"... a first-rate edition, which supersedes all other portable Peirces.... all the Peirce most people will ever need." —Louis Menand, The New York Review of Books "The Monist essays are included in the first volume of the compact and welcome Essential Peirce; they are by Peirce’s standards quite accessible and splendid in their cosmic scope and assertiveness."—London Review of Books A convenient two-volume reader’s edition makes accessible to students and scholars the most important philosophical papers of the brilliant American thinker (...) Charles Sanders Peirce. This first volume presents twenty-five key texts from the first quarter century of his writing, with a clear introduction and informative headnotes. Volume 2 will highlight the development of Peirce’s system of signs and his mature pragmatism. (shrink)

Background: In the neonatal intensive care unit, immigrant parents may experience even greater anxiety than other parents, particularly if they and the nurses do not share a common language. Aim: To explore the complex issues of trust and the nurse–mother relationship in neonatal intensive care units when they do not share a common language. Design and methods: This study has a qualitative design. Individual semi-structured in-depth interviews and two focus group interviews were conducted with eight immigrant mothers and eight neonatal (...) intensive care unit nurses, respectively. Data analysis was based on Braun and Clarke’s thematic analytic method. Ethical considerations: Approval was obtained from the hospital’s Scientific Committee and the Data Protection Officer. Interviewees were informed in their native language about confidentiality and they signed an informed consent form. Results: Trust was a focus for mothers and nurses alike. The mothers held that they were satisfied that their infants received the very best care. They seemed to find the nurses’ care and compassion unexpected and said they felt empowered by learning how to care for their infant. The nurses discussed the mother’s vulnerability, dependency on their actions, attitudes and behaviour. Discussion: Lack of a common language created a challenge. Both parties depended on non-verbal communication and eye contact. The nurses found that being compassionate, competent and knowledgeable were important trust-building factors. The mothers were relieved to find that they were welcome, could feel safe and their infants were well cared for. Conclusion: The parents of an infant admitted to the neonatal intensive care unit have no choice but to trust the treatment and care their infant receives. Maternal vulnerability challenges the nurse’s awareness of the asymmetric distribution of power and ability to establish a trusting relationship with the mother. This is particularly important when mother and nurse do not share a verbal language. The nurses worked purposefully to gain trust. (shrink)

Intrigues: From Being to the Other examines the possibility of writing the other, explores whether an ethical writing that preserves the other as such is possible, and discusses what the implications are for an ethically inflected criticism. Emmanuel Levinas and Maurice Blanchot, whose works constitute the most thorough contemporary exploration of the question of the other and of its relation to writing, are the main focus of this study. The book's horizon is ethics in the Levinasian sense: the question of (...) the other, which, on the hither side of language understood as a system of signs and of representation, must be welcomed by language and preserved in its alterity. Martin Heidegger is an unavoidable reference, however. While it is true that for the German philosopher Being is an immanent production, his elucidation of a more essential understanding of Being entails a deconstruction of onto-theology, of the sign and the grammatical and logical determinations of language, all decisive starting points for both Levinas and Blanchot. At stake for both Levinas and Blanchot, then, is how to mark a nondiscursive excess within discourse without erasing or reducing it. How should one read and write the other in the same without reducing the other to the same? Critics in recent years have discussed an ethical moment or turn characterized by the other's irruption into the order of discourse. The other becomes a true crossroads of disciplines, since it affects several aspects of discourse: the constitution of the subject, the status of knowledge, the nature of representation, and what that representation represses (gender, power). Yet there has been a tendency to graft the other onto paradigms whose main purpose is to reassess questions of identity, fundamentally in terms of representation; the other thus loses some of its most crucial features. Through close readings of texts by Heidegger, Levinas, and Blanchot the book examines how the question of the other engages the very limits of philosophy, rationality, and power. (shrink)

This article seeks to correct some widespread misunderstandings of Derrida's thought, mostly amongst philosophers working in the mainstream analytic line of descent. I put the case – with reference to Of Grammatology along with other writings of his earlier period – that Derrida has made important contributions to philosophy of language and logic, especially with regard to issues of modality, tense, and the scope and limits of classical (bivalent) reasoning. Moreover I contend, again contra the received analytic view, that his (...) texts themselves bear witness to the highest standards of conceptual and logico-semantic precision. That there are now some signs – albeit hesitant and belated – of their coming to recognise these virtues of Derrida's work is welcome evidence that philosophers in that 'other', analytical tradition are beginning to move beyond the old outlook of mistrust or downright hostility toward their typecast 'continental' counterparts. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:"Spirituality":"Weasel-Word" or Gateway to New Understanding?Peter Gilbert (bio)Keywordsspirituality, faith communities, NIMHEVisiting the Samuel Palmer Exhibition at the British Museum, I was struck, not only by the spiritual power of the paintings, especially in the late Shoreham period such as, my favorite: The Magic Apple Tree (circa 1830)—but how Palmer appeared to bring both Christian and Pantheistic themes into his work. The museum's exhibition collator remarks that Palmer saw the (...) fruitfulness of the earth as an intimation of Divine creativity. The artist sought to capture "The essential vivifying spirit, vital spark" (Palmer's words) of the physical world in which we live.I was reminded as I moved from The Magic Apple Tree, to In a Shoreham Garden, and The Golden Valley, how these paintings had been used by a record company when they had issued all of Ralph Vaughan Williams' orchestral and choral works in the 1970s, to mark his anniversary. Vaughan Williams was not a signed up Christian, but many of his choral works express a strong yearning for the transcendent using Christian imagery. The day before I visited the Palmer exhibition, I listened to Professor Robert Winston on Start the Week (28th November, 2005), in which he spoke of his BBC series The Story of God (Winston, 2005). As a scientist, Winston is intrigued as to why humans seek the transcendent. He continually refers to this desired other as "God," although I think it would be more accurate to call it a search for the transcendent. Winston puzzles over why there appears to be "a God-shaped hole" within humanity (Start the Week, November, 28, 2005), and again, as a scientist, postulates that: "the more we understand about science, the less we understand about the Universe."In the light of the most popular films and books at present, the search for something beyond ourselves appears to be very much at the center, rather than at the periphery of humanity's consciousness at the present time. Reading Philip Pullman's His Dark Materials trilogy, and reading his various essays, we are struck by his articulation of the human search:We need a story, a myth that does what the traditional religious stories did. It must explain. It must satisfy our hunger for a Why... There are two kinds of Why, and our story must deal with both. There's the one that asks What brought us here? and the other that asks What are we here for?(Pullman, 2001)The author's article is very helpful in its practical approach to psychotherapy and spirituality. I particularly liked her reference to the work of Charles Corr (1991) and his work with people [End Page 197] who are dying and considering the physical, psychological, social, and spiritual aspects of the last days. The spiritual aspects being around identifying, developing, or reaffirming spiritual sources of energy and hope. This is the kind of approach that the National Institute for Mental Health in England (NIMHE) national Project on Spirituality and Mental Health has been engaged in since 2001, the approach being to stress the spiritual dimension as an integral part of a whole person and whole systems approach to mental health; work with mental health services and their partners to engage with this agenda; and work toward a better understanding between faith communities and mental health services (see Gilbert and Nicholls, 2003). Service users and their carers are increasingly stating strongly to services that they wish to have their spiritual dimension and spiritual needs addressed properly—and certainly not in a "tick-box" method! The author quotes Samson and Zerter (2003) as saying that the person's spiritual dimension "draws a thread of identity, relationship, meaning and purpose, which weave through each of these aspects" (i.e. the life events and other aspects of their being).I welcome the author's stress on a "relational approach," and her breadth of reference, for example, the diary of Marcus Aurelius, the Roman emperor and philosopher, but I had some concerns about her use of the term personal theology, and talk of the personal aspect of religion and "the Divine," in that I think that this could... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:New Periodical Articles by Russell (II)Kenneth BlackwellThere are 51 new C entries since the twenty-year update in Russell 34 (2014) to the first edition of A Bibliography of Bertrand Russell (3 vols., 1994). Too many to list here are the new speech reports, interviews, blurbs, and multiple-signatory letters to the editor in other parts of Volume ii and new books and contributions to them in Volume i. A sub-division (...) is made between those articles published by Russell during his lifetime and those posthumously by his editors. In the Collected Papers there are many further articles now published, whose appearance could not be traced during his lifetime. Thanks in advance to readers for any corrections and further discoveries for Russell's vast corpus. For some Chinese publications cited in C20.21′, I am indebted to Lianghua Zhou, "A Critical Bibliography of Russell's Lectures and Addresses in China" (36 [2016]) in this journal. Files for the new entries are not available in the Russell Archives.For assistance with this update I wish to thank David Blitz, William Bruneau, Ruth Derham, Carl Spadoni, Michael Stevenson, Sheila Turcon, the two Editors, and (for conversion of the first edition files) Arlene Duncan.C20.21′ [RESPONSE TO SPEECH OF WELCOME TO CHINA]. Shibao [世報], Shanghai, 14 Oct. 1920, p. 5.In "Huanyan da zhexuejia Luosu ji 歡宴大哲學家羅素紀 [Notes from the Welcome Banquet for the Great Philosopher Russell]".—Russell's speech was translated by his official translator, Zhao Yuanren [Y. R. Chao].—Reprinted in Chen Bao [Morning Post], 16 Oct. 1920, p. 3 (cited in Papers 15: li); Luosu Yuekan [Russell Monthly], Beijing, no. 1 (Jan. 1921): App., pp. 6–7; and Yuan Gang, Sun Jiaxiang, and Ren Bingqiang, eds., Zhongguo Dao Ziyou Zhi Lu: Luosu Zaihua Jiangyanji [China's Road to Freedom: a Collection of Russell's Lectures in China] (Beijing: Beijing Daxue [End Page 71] Chubanshe [Peking University Press], 2004).—Translated into English in "Welcome Banquet for the Great Philosopher Russell", in Jan Vrhovski and Jana S. Rošker, eds., Bertrand Russell's Visit to China: Selected Texts on the Centenary of Intercultural Dialogues in Logic and Epistemology (Ljubljana, Slovenia: Ljubljana U. P., 2021), pp. 61–3 (which is the source of the Chinese characters below). Click for larger view View full resolution"Bertrand Russell" in simplified Chinese charactersC23.24a BERTRAND RUSSELL ON "HELL". Haldeman-Julius Weekly, Girard, ks, no. 1,446 (18 Aug. 1923): 4.Letter to Upton Sinclair on his play Hell, dated 20 June 1923.—Photocopy of holograph letter is at ra Rec. Acq. 40.—Reprinted in Collected Papers 16 (forth.).C24.12a CHILDREN AND YOUNG PERSONS BILL. The Manchester Guardian, 7 March 1924, p. 10.Signed also by Clifford Allen and sent from his address in Battersea.—"We must beware lest in our zeal to maintain the existing moral code we inflict further suffering upon the very children and women whom the promoters of the bill wish to protect."—Re abortion and underage sex.—Reprinted in Collected Papers 16 (forth.).C24.20a MACDONALD'S POLICY WILL ALTER SPIRIT OF WORLD. The Winnipeg Evening Tribune, Winnipeg, mb, 5 April 1924, theatre sec., p. 7.Subtitled "English Philosopher States Rumors of Split in Labor Ranks Exaggerated".—An editorial note states that the article was "prepared exclusively" for the Tribune.—Reprinted in Collected Papers 16 (forth.).C24.50a "WHAT'S WRONG WITH U.S.?["] BERTRAND RUSSELL FORESEES RADICALISM MUCH OPPRESSED.The Daily Notes, Canonsburg, pa, 22 Nov. 1924, p. 6.Datelined London, 21 November.—International News Service (ins) had invited Russell's views on "What Is Wrong with America" in a letter of 14 October 1924 (ra1 410).—Also as "Toleration Now Greatest Need of This Nation; Noted British Writer Sees Most of America's Troubles Migratory; Believes Negro Question, with Persecution, Will Lead to Difficulty", Defiance Crescent-News, Defiance, oh, 24 Nov. 1924, p. 1; " 'What's Wrong with U.S.?' Bertrand Russell Sees Radicalism Much Oppressed", The Evening News, Wilkes-Barre, pa, 25 Nov. 1924, p. 13; op. cit., St. Petersburg Times, St. Petersburg, fl, 25 Nov. 1924, sec. 3, p. 7; op. cit., The Huntington Herald, Huntington, il, 26 Nov. 1924, p. 10; op. cit... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Handbook of Cognitive Mathematics ed. by Marcel DanesiNathan HaydonMarcel Danesi (Ed) Handbook of Cognitive Mathematics Cham, Switzerland: Springer International, 2022, vii + 1383, including indexFor one acquainted with C.S. Peirce, it is hard to see Springer's recent Handbook of Cognitive Mathematics (editor: Marcel Danesi) through none other than a Peircean lens. Short for the cognitive science of mathematics, such a modern, scientific pursuit into the nature and study (...) of mathematical practice would no doubt be found agreeable to Peirce. The fact that references to Peirce appear often throughout the Handbook is a welcome find, with Peirce's ideas being a key subject of half a dozen chapters, and where a reader of any other chapter may well find further connections to Peirce's ideas. After spending time with the Handbook, it is clear that cognitive mathematics has not only embraced some of Pierce's ideas but may be at an important forefront of Peirce studies. In the end, the field may well be an area a Peircean should pay attention to.The book itself is pitched as a reference volume to the field (p. v) with the necessary background to familiarize oneself with the aims and results. The connection to cognitive science may call to mind detailed cognitive models [Ch. 10–14], theories on the origins of numeracy and other theories behind the biological and evolutionary requirements of mathematical thought [Ch.15–18], and the like. These are all present. But a key theme of the Handbook is to situate mathematics not just within more traditional 'cognitive' faculties and the more formal, i.e. algebraic, presentations of mathematics, but also to place mathematics within other human faculties and practices, from the arts to language [Ch. 19–22], within education and learning more broadly [Ch. 23–26], and in relation to the significant, though at first perhaps less quantitative parts of mathematics, like the use of metaphor, gesture, analogy, [End Page 243] abstraction, as well as further cultural and ethnographic considerations [Ch. 5–8]. The Handbook has explicitly taken a broader, more interdisciplinary approach (p. vi–vii) towards the scientific aspects of mathematical practice—choosing to regulate the study not by antecedently drawn opinions about what mathematics is (or has traditionally been taken to be) but by what future quantifiable and diverse study may come to bear on the practice and have to say about those engaging in it.This broad interdisciplinarity has a pragmatist ring, where theory cannot so easily be separated from the normative, social, and, more generally, the more thoroughly human aspects that we encounter and employ when we engage in it. Two further commitments of cognitive mathematics steer us even closer towards Peirce's views. The first—going back, for example, to Lakoff and Núñez's Where Mathematics Comes From (2000), which is taken to be a key early work in shaping the field—is that mathematics is taken to be a language like any other and as such must be learned and situated within our other cognitive faculties (p. vi, Ch. 4). The second—and largely, one imagines, following from a concern for seeing how mathematics is actually practiced—is that mathematics is essentially diagrammatic, involving as it does experimenting in diagrams and employing other signs (one may think here even of the mathematician sketching equations or geometric figures on a sheet of paper). What is perhaps initially most noteworthy about Peirce's philosophy of mathematics is his early concern for both these aspects of the practice.The book (more like a tome of over 1300 pages) is too large to be covered here in all its aspects, hence the review will focus on those aspects a Peircean or Pragmatist may find of interest. In particular, this review focuses on several of the themes above—situating mathematics more broadly within our everyday (cognitive) lives, the necessarily diagrammatic, fallible, and creative aspects of the practice, and, finally, what these aspects may have to say about Peirce's philosophy more generally, particularly with respect to (scientific) inquiry.A Peircean reader may well begin with Pietarinen's "Pragmaticism as Philosophy of Cognitive Mathematics" [Ch. 39] and "Peirce on Mathematical... (shrink)

Evoking the old saying that ‘children should be seen and not heard’, Jana Mohr Lone’s new book presents a powerful case for not merely hearing—but more, for 'listening' 'to' - children. Lone is the Executive Director of PLATO—the Philosophy Learning and Teaching Organization affiliated with the University of Washington, Seattle (one of the leading forces for philosophy in schools in the USA)—and has been involved in bringing philosophical discussion into schools for over 25 years. She brings all this experience to (...) bear in this book. Before taking a good look at the book, I note that the publisher, Rowman & Littlefield, seems to have produced quite a few books in the philosophy in schools field recently, including Lone’s previous book 'The Philosophical Child', and a series edited by Tom Wartenberg. That a major publisher is interested in producing such books is a welcome sign indeed. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Oppression1Françoise Lionnet (bio)In her disquietingly incandescent poetic novella, La vie de Josephin le fou, completed with the energy of urgency in just two weeks in November 2002,2 Mauritian author Ananda Devi explores Joséphin's relationship with the protective aquatic environment that becomes his refuge from domestic abuse and maternal rejection:J'ai pris l'habitude d'aller dans la mer chaque fois que le monde d'en haut criait trop fort. La mer m'a accueilli (...) chaque fois sans poser de questions, elle avait pas de voix, la mer, que des sons transparents et mouillés, des sons qui vous bercent et vous endorment et vous cicatrisent et vous guérissent….(20)Going into the ocean became a habit every time the world up above would scream too loud. The ocean welcomed me every time, without asking any questions--the ocean had no voice, only sounds, transparent and soaked, sounds that could rock you to sleep and heal your wounds…..(27)The French-language narrative plays with the homonyms mer (sea/ocean) and mère (mother) to underline the nurturing maternal qualities of the deep, which it contrasts with the behavior of the abused and abusive human mother. Caught in a vortex of violence on land where he must always hold his breath and his tongue, Joséphin has developed the ability to survive without much air. This learned ability to restrict his breathing has prepared him for life under water:J'avais pas besoin de respirer. J'avais tellement retenu ma respiration depuis bébé pour pas la mettre en colère… que c'était facile de le faire de nouveau pour rester longtemps longtemps sous l'eau. Vivre là, en captant quelques bulles d'air échappées des coquilles.(22)I didn't need to breathe. I had held my breath for so long as a baby to not make her mad…. that it was easy to do it again, to stay a long long time under water, to live there, off of a few air bubbles escaped from sea shells.(28)In a story that takes on the generic characteristics of the fantastic, Devi thematizes the relationship between social or familial oppression and the physiological constriction of lungs due to oxygen deficiency. Joséphin's (self-)denial of air speaks to us today, eloquently, of an urgent issue that became prominent in the past two years: choking as a form of torture inflicted upon victims of police brutality. The oft repeated slogan, "I can't breathe," militant words of the international Black Lives Matter movement, [End Page 169] have become a rallying cry against oppression. "I can't breathe" is recognizable everywhere as a sign of outrage against gratuitous human cruelty, and in 2020, George Floyd became its most famous contemporary symbol, after Eric Garner's death in a choke hold first drew attention to the issue. Journalist Lonnae O'Neal has discussed Floyd's fate, his tragic last moments, his call to his absent, deceased mother. O'Neal dwells on the words he uttered as he lay in the street: "Momma! Momma! I am through." In her elegy to black motherhood, O'Neal asserts that a dying man's call to his mother "is a prayer to be seen," "a sacred invocation" that expresses the poignant hope that memory and justice will prevail. She invokes Floyd's need to be recognized as a human being, to testify to his humanity with his last breaths, and thus to be remembered as having mattered. Her lyrical prose contains direct echoes of Martinican poet Aimé Césaire's poem "Le cri" in which the narrator forces recognition of his humanity by leaving traces of his "souffle," his breath, in the invisible presence-absence of air:Le vent novice de la mémoire des méandress'offenseÀ vif que par mon soufflede mon souffle il suffisepour à tous signifierprésents et avenirqu'un homme était làet qu'il a crié[…]The wind, inexpert at remembering meandersis stungto the quick that my breathmy breath alone sufficesto signify to allnow and foreverthat a man was... (shrink)

Following the well-publicised case of Dr Sarah Benn, the former General Practioner (GP) who was suspended from the UK medical register earlier this year for breaching injunctions in order to peacefully protest climate change,1 uncertainty and wider discourse has persisted about the extent to which doctors can be involved in protests without risking regulatory action. In response to this uncertainty, in July the General Medical Council (GMC) published an explanation of how it manages concerns about doctors’ actions as part of (...) protests and activism. It includes the statement that they are bound by law to refer any conviction resulting in a custodial sentence directly to a Medical Practioners Tribunal Service (MPTS) hearing.2 They also state that the nature of the protest does not impact their consideration of whether there was a serious breach of professional standards or a risk to public protection.2 The move to clarify the GMC’s position has been cautiously welcomed by the UK Health Alliance on Climate Change but with criticisms that important questions remain unanswered, such as the GMC’s rationale for determining that public confidence in doctors is harmed by convictions arising from environmental activism.3 Interest in this issue shows little sign of fading, as regulatory action continues to be taken against climate activist doctors. Dr Diana Warner, a retired GP, was suspended from the medical register in August following a series of convictions for …. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Introduction to the Special Theme Religious Experience and PsychopathologyMohammed Abouelleil Rashed, MD, PhDIn the first verse of the seventeenth sura of the Qur’an, Al-Isra’,1 we learn about Prophet Mohammed’s night-time journey to Al-Quds (Jerusalem):Glory to Him who made His servant travel by night from the sacred place of worship [in Mecca] to the furthest place of worship [in Al-Quds], whose surroundings We have blessed, to show him some of (...) Our signs.The year was 621 AD. The Prophet was transported by a fabled creature known as Al-Buraq—a name that derives from the Arabic word for lightning—that was able to cover the distance of a month-long journey in a matter of hours. Accompanied by the Angel Jibreel, the second part of the journey, Al-Mi’raj,2 involved an ascension to the Heavens. Along the way, the Prophet met several past Messengers until, now all alone, he received communications from Allah and, according to some accounts, encountered the Divine manifestation.When he returned to Mecca the following morning and recounted his miraculous journey, he met with a familiar range of responses. Abu Bakr Al-Siddiq, who was to become the first Caliph following the Prophet’s death, immediately believed him and never doubted the veracity of his account. Members of the Quraish tribe, a polytheistic tribe then dominant in the Arabian Peninsula and hostile to the Prophet, denounced his account outright, mocking him for its apparent impossibility or accusing him of madness. Others agreed that the Prophet had undergone the experiences he described but reasoned that this was a spiritual journey and not a physical one of literal bodily transportation. Later Christian critics went further by reducing the experience to the manifestations of epilepsy and insanity, or by questioning its Divine origin and attributing it to spirits and satanic entities.It really did matter how the Prophet’s experiences were understood and received: the stakes could not be higher. Here was the Prophet in the 11th year of a mission that called for a renewal of the message of monotheism. If true, this journey to the three holy sites of Islam (Mecca, Medina, Al-Quds) and to the Heavens was further evidence of his Prophethood and one of his miracles. His [End Page 195] critics and his followers had their own answer to the question on everyone’s mind: did the Prophet really undergo these experiences, whether in a spiritual or physical sense, or was it an expression of a pathological disturbance?________The year is 1997 AD. Mike Jackson and Bill Fulford publish a paper entitled Spiritual Experience & Psychopathology. The paper engages the exact question that troubled the Prophet’s critics and allies 1,376 years earlier. The question is now framed as a distinction between spiritual and pathological varieties of psychotic phenomena. And even though the stakes do not rise to the level of Prophethood—we have banished Prophets a long time ago—they are high enough:Spiritual experiences, whether welcome or unwelcome, and whether or not they are psychotic in form, have nothing (directly) to do with medicine.... It would be quite wrong, then, to “treat” spiritual psychotic experiences with neuroleptic drugs, just as it is quite wrong to “treat” political dissidents as though they were ill.(Jackson & Fulford, 1997, p. 42)Jackson and Fulford were not the first to invoke the distinction as a problem to be examined. In modern times, this is usually traced to William James’ Varieties of Religious Experience (1902), where he drew attention to the overlap between religious experiences and psychosis. James, like Jackon and Fulford a century later, noted the phenomenological similarities among these two ‘types’ of experience: voices, visions, an ineffable sense of significance to otherwise mundane events, and the loss of agency to external forces and powers.The 1997 paper stimulated much debate, responses, and rebuttals. In the process, at least four approaches for drawing the distinction have emerged: by appealing to the outcome of the experience; by appealing to theological criteria; by examining the organization of the experience; and by paying attention to the process of meaning-making in its cultural context. On the... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Virtue Ethics for the Real World: Improving Character without Idealization by Howard J. CurzerBenjamin HoleCURZER, Howard J. Virtue Ethics for the Real World: Improving Character without Idealization. New York: Routledge, 2023. 272 pp. Cloth, $160.00The development of virtue ethics has been in a lull. This book is a welcome treatise in theory-building, developing a novel Aristotelian approach to virtue ethics that, first, avoids idealization and, second, provides a (...) method for character improvement. It is divided into two parts reflecting these themes.The front matter before the title page brandishes a "No Don Quixotes" sign, warning the reader the following pages are no place for a misguided idealist. Part 1, "Against Idealization," contains six chapters. Chapter 2 argues that idealization is not a useful guide, but an impediment to virtue, since ideals can be misleading, psychologically damaging, and used for nefarious purposes. Chapters 3 through 7 construct a virtue ethical theory without idealization. Idealization may seem central to a virtue-oriented approach to ethics. For example, Rosalind Hursthouse's famous biconditional claims that an act is right if and only if it is what the virtuous person would characteristically do in the same circumstances. By contrast, chapter 3 provides counterexamples separating virtuous action from what the virtuous person would characteristically do, and separating virtuous action from right action. Sacrificing Hursthouse's biconditional is a fundamental change to the way many conceive of Aristotelian virtue ethics, demanding revisions to the rest of the theory. For instance, to address moral dilemmas, chapter 4 defends two psychological mechanisms under which there are virtuous, morally wrong acts that are admirably immoral, and vicious, morally right acts that leave the agent with dirty hands.Chapter 5 provides the grounding for contemporary Aristotelian virtue ethics without idealization, by answering what makes character traits [End Page 541] virtues and what makes acts virtuous. Two-level eudaimonism involves a thin theory, where virtue consists in responding well to different spheres of human activity, and a thick theory, where responding well contributes to the agent's eudaimonia. Since virtuous people may characteristically perform nonvirtuous actions, virtuous actions are not necessarily what virtuous people characteristically do but actions that are endorsed by virtuous people from the perspective of virtue. The "Perspectives Doctrine" claims that virtuous people decide how to respond from the perspective of different virtues, and those perspectives offer incomplete and sometimes incompatible ways of responding. For instance, a temperate person endorsing an action as temperate from the perspective of temperance makes it temperate, but would not make it courageous, and an endorsement from the perspective of courage would not make her action temperate. Agents determine what is virtuous by asking virtuous people to consider, from the perspective of virtue, what should be done; when virtuous people are unavailable, agents can consult philosophers and social scientists who research the responses of virtuous people. Chapter 6 rejects the "Reciprocity of the Virtue Doctrine," which claims possessing one virtue entails possessing the rest, in favor of the "Unevenly Virtuous People Doctrine," on which people can have some but not all of the virtues; character typically improves at different paces in different areas of life. Chapter 7 rejects Philippa Foot's "Corrective Doctrine" of virtue as implausible idealization in favor of a traditionally Aristotelian "Doctrine of the Mean," and argues that the virtues of integrity, forgiveness, tolerance, open-mindedness, and civility are governed by that doctrine.Although character improvement seems to depend on idealization, by striving to achieve some end, part 2's five chapters paint an alternative picture. Chapter 8 defends a medical analogy over competing models philosophers typically employ to understand character improvement, including skill (Aristotle and Julia Annas), stage or path (Aristotle and Wouter Sanderse), self-cultivation (Mengzi), and self-construction (Xunzi) analogies. To improve character, one must look to a fine-grained list of possible character flaws, diagnose deficits in character, and then heal character flaws by employing targeted strategies, including "inculcation strategies, rehabilitation strategies, and strategies to improve society's ethical climate." Character improvement is complex and becomes more so when considering all of the ways one might err. Chapter 9 introduces an Aristotelian model for moral decision-making within each... (shrink)

The consent and community engagement process for research with Indigenous communities is rarely evaluated. Research protocols are not always collaborative, inclusive or culturally respectful. If participants do not trust or understand the research, selection bias may occur in recruitment, affecting study results potentially denying participants the opportunity to provide more knowledge and greater understanding about their community. Poorly informed consent can also harm the individual participant and the community as a whole. Invited by local Aboriginal community leaders of the Fitzroy (...) Valley, the Kimberley, Western Australia, The Picture Talk project explores the consent process for research. Focus groups of Aboriginal community members were conducted to establish preferences for methods of seeking individual consent. Transcripts were analysed through NVivo10 Qualitative software using grounded theory with inductive and deductive coding. Themes were synthesised with quotes highlighted. Focus groups with Aboriginal community members were facilitated by a Community Navigator as a cultural guide and interpreter and a researcher. Participants were recruited from all main language groups of the Fitzroy Valley – Gooniyandi, Walmajarri, Wangkatjungka, Bunuba and Nikinya. Participants were aged ≥18 years, with 5 female groups and one male group. Themes identified include: Reputation and trust is essential; The Community Navigator is key; Pictures give the words meaning – milli milli versus Pictures; Achieving consensus in circles; Signing for consent; and Research is needed in the Valley. Aboriginal communities of the Fitzroy Valley recommend that researchers collaborate with local leaders, develop trust and foster a good reputation in the community prior to research. Local Aboriginal researchers should be employed to provide cultural guidance throughout the research process and interpret local languages especially for elders. Pictures are preferred to written text to explain research information and most prefer to sign for consent. The Fitzroy Valley welcomes research when collaborative and for the benefit of the community. Future research could include exploring how to support young people, promote health screening and improve understanding of medical knowledge. (shrink)

The seventh chapter is dedicated to Gottfried Leibniz. In a letter to the English philosopher Samuel Clark, Leibniz recalls the episode in the park in connection with his famous principle of the identity of the indistinguishable, or simply "Leibniz's law". The futile search for two exactly identical leaves or blades of grass highlights a metaphysical principle that extends to the smallest elements of nature. If there are not two exactly the same, then they all bear the stamp of uniqueness and (...) individuality, ultimately going back to the wisdom of the Creator. The ethical implications of this ontological axiom are obvious: to destroy a leaf, let alone a whole plant, means to get rid of something that will never appear again in exactly the same form. If there are many species of plants and if each species includes a myriad of subspecies, it is because they all must exist to actualize the infinite possibilities of Divine self-expression. The loss of biological diversity diminishes the richness of manifestations that God finds in the world. From the real park, the philosopher leads us into an allegorical garden depicting his understanding of matter. In paragraph 67 of Monadology, he urges us to imagine every part of matter like a garden full of plants and a pond full of fish. But every branch of a plant, every member of an animal, every drop of its juices is again the same garden or the same pond. Each part of matter, accordingly, is a garden within a garden within a garden — and so on ad infinitum. Thus, it can be said that the plant, as its capabilities become more relevant, expresses (a) the world, (b) God's vegetable view of (a), and (c) essence. As a non-verbal sign, it is oversaturated with meaning, it is entrusted to bear the weight of theological and metaphysical entities partially revealed through it. One can only welcome the philosopher's bold assumption that a plant is not a passive object available for manipulation by humans and animals, but a subject endowed with the ability to act. However, the weak point of this statement lies in the double comparison of animals with humans and plants with animals. The standard that all other living beings must meet is hopelessly anthropocentric, since it implies that animals are less perfect people, and plants are less perfect animals. Thus, an ancient metaphysical prejudice creeps into the philosophical system, which boldly put forward the vegetative idea of infinite matter and the expressive uniqueness of each leaf and each blade of grass. The eighth chapter deals with Immanuel Kant. In his penchant for abstraction, Kant reduces flowers to specimens of pure color, and tulips seem to him the purest of all. Its simple form does not distract us from the beauty of its pure color, and in this it perfectly matches the asceticism of Kant's philosophy and the austere splendor of his aesthetic thought. Kant views tulips as examples of completeness «belonging to no purpose», where by «purpose» he means those practical tasks associated with economic activity in the broad sense of the word. The meaning and essence of the tulip varies according to the field in which we encounter it: as a natural object of study and scientific inquiry, as a useful object of our practical interest, or as an alluring embodiment of the beautiful. In his personal writings of the 1760s, Kant defends the thesis that a plant is possible only in accordance with an idea, defining the latter as the a priori cognition of the understanding by which an object becomes possible. If the material aspects of human existence, according to Kant, do not deserve respect, then even less do non-human animals and plants, which have no share in the rationality of transcendental subjects. There is only one possibility of placing plants and animals under the umbrella of Kantian respect, and it has to do with human self-respect. Kant does not abandon the idea that flowers are vital links in the chain of plant reproduction by which the genus is preserved. In flowers, and in aesthetics in general, Kant sees a utopian prefiguration of human freedom. When he calls flowers «free beauty», he means their liberation from both natural necessity and conceptual understanding. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:American Journal of Philology 125.3 (2004) 456-459 [Access article in PDF] Jon D. Mikalson. Herodotus and Religion in the Persian Wars. Chapel Hill: University of North Carolina Press, 2003. xiv + 269 pp. 5 maps. Cloth, $45. One should pay attention to the title of this book. It is not primarily intended as a study of religion in Herodotus, like Lachenaud (1978), Harrison (2000), and others, to whom Mikalson (...) gives due credit throughout, but rather as an exploration of Greek religious practices and attitudes in a specific historical context. Herodotus is, evidently, our main source and an especially illuminating one because, says Mikalson, his approach to religion is less bound to the conventions of a particular genre than that of epic poets, tragedians, or even, for different reasons, Thucydides, who tends to exclude religion from his account. At the same time, Herodotus' religious views are in great part not peculiar to him but probably shared by many of his contemporaries.On this last point Mikalson agrees with Harrison, as he also does when he maintains that scholars have frequently underestimated the importance of religion in Herodotus' history. Religious causes and motivations represent, to be sure, only one level of explanation among several others that Herodotus uses. But they are important, and the supplementary sources on the topic (especially the later authors Plutarch, Pausanias, and Diodorus Siculus) uncover no evidence that Herodotus exaggerated general Greek notions about the role of the gods in the Persian Wars or the number and prominence of cultic acts connected with these events.The book is composed of three chapters. Chapter 1 is entitled "A Religious account of the Persian Invasions." Chapter 2, "Greek Gods, Heroes and the Divine in the Persian Invasions," discusses the role of individual divine figures. With chapter 3, "Some Religious Beliefs and Attitudes of Herodotus," the focus shifts from Herodotus as a major source for Greek religion to Herodotus' own views about the gods and their cult. This approach continues in the Appendix, "Herodotus on the Origins of Greek Religion," which provides a welcome and lucid examination of the more scholarly side of Herodotus' religious thought.There is a considerable degree of overlap among the three chapters, and more space is devoted to summary and compilation than to analysis. The first and longest chapter (ninety-five pages, almost half the text of the book) is a history from the fall of the Pisistratids in Athens to the aftermath of the battle of Mycale that foregrounds all attested religious actions and events as well as the character utterances and authorial comments that mention the gods or the divine. It follows for the most part a chronological order (or, sometimes, the order of Herodotus' narrative), with an abundance of direct quotations and frequent spacing between paragraphs. The overall effect is somewhat fragmentary, and there is very little discussion of individual items. We would like to hear more, for example, about the earthquake of Delos, with Herodotus' extraordinary interpretation (and Thucydides' conflicting report), or the role of the Aeacidae, who were ineffectual allies of the Thebans against the Athenians in 506 but helped the Greek coalition at Salamis (22-23, 77, 129-30). [End Page 456]Neither does Mikalson impose a logical order on the string of events, although his occasional syntheses along the way touch upon a number of general points. Most importantly, he argues that Herodotus treats religion in two different ways: in popular/cultic terms or, less frequently, according to the literary conventions of epic or tragedy (45-47). The latter form of discourse includes words such as atasthalos, "rash" (which Herodotus notably uses in lieu of the popular term anosios, "impious," to describe Xerxes' whipping of the Hellespont), dreams and monstrous omens as signs of misfortunes (41-44), pious prayers that are normally answered (47-49), and oracles that always come true. Conversely, the rejection of the literary conventions of epic helps to account for the fact that in Herodotus and other prose authors, as in artistic representations of battles of the Persian wars, divine intervention may feature the occasional epiphany of... (shrink)

_Explanation and Power _ was first published in 1988. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. The meaning of any utterance or any sign is the response to that utterance or sign: this is the fundamental proposition behind Morse Peckham's _Explanation and Power. Published_ in 1979 and now available in paperback for the first time, _Explanation and Power _grew out of Peckham's efforts, (...) as a scholar of Victorian literature, to understand the nature of Romanticism. His search ultimately led back to—and built upon—the tradition of signs developed by the American Pragmatists. Since, in Peckham's view, meaning is not inherent in word or sign, only in response, human behavior itself must depend upon interaction, which in turn relies upon the stability of verbal and nonverbal signs. In the end, meaning can be stabilized only by explanation, and when explanation fails, by force. Peckham's semiotic account of human behavior, radical in its time, contends with the same issues that animate today's debates in critical theory — how culture is produced, how meaning is arrived at, the relation of knowledge to power and of society to its institutions. Readers across a wide range of disciplines, in the humanities and social sciences, will welcome its reappearance. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Gray ZonePatrick HenryThe Question of Jewish complicity during the Holocaust remains nuanced and troubling even if recent research has altered some earlier entrenched assumptions regarding its nature and extent. Hannah Arendt, for example, who saw the complicity of the Jewish Councils in the ghettos as part of the general "moral collapse" of the time, remarked famously that:Wherever Jews lived, there were recognized Jewish leaders, and this leadership, almost (...) without exception, cooperated in one way or another for one reason or another, with the Nazis. The whole truth was that if the Jewish people had really been unorganized and leaderless, there would have been chaos and plenty of misery but the total number of victims would hardly have been between four and a half and six million people.1Thirty-eight years later, however, in Rethinking the Holocaust, Yehuda Bauer points out that not only were the Jewish Councils "in many of the Polish and Lithuanian ghettos... not asked for and did not deliver lists of Jews," but also "many of the Soviet territories had no Judenräte and the destruction was even more efficient there than in Poland." Finally, as Bauer also reports, in many smaller places, the Judenräte refused to cooperate in any way whatsoever.2The Judenräte or Jewish Councils were Nazi-established executive committees throughout Occupied Europe at once fully responsible for the implementation of Nazi directives and in charge of the administration, labor, finances, cultural and health services, food supply, and policing of the Jewish community or ghetto. These councils were set up to force the Jews to do the work of the Nazis and to keep the Jews at odds with one another as the implementation of Nazi directives progressively and [End Page 150] inevitably undercut the councils' ability to provide for the basic physical needs of the Jewish community. How these councils acted under the pressure of deportation orders differed from ghetto to ghetto. For his part, although he speaks mainly about complicity in the camps, Primo Levi identifies a "gray zone" in the ghettos and the camps where some of the "privileged oppressed" became oppressors themselves, thereby blurring any simple all-encompassing distinction between victim and executioner.3IIn her "Postscript" to Eichmann in Jerusalem, Arendt notes that in Israel in 1963 "the Jewish Establishment" was "bitterly divided on this issue" of the Jewish Councils.4 As the accounts of contemporaries attest, this division was already apparent in the Warsaw Ghetto more than twenty years earlier. There, Adam Czerniaków, a highly cultured 60 year-old Polish speaking Jewish engineer, neither a rabbi nor a believer, was the head of the 24 member Warsaw Jewish Council. He had many staunch supporters but others, particularly those involved in resistance movements, distrusted him and accused him of collaboration with the Nazis. In July 1942, he swallowed cyanide rather than sign the order to round up and deport all Jews, including children, from the ghetto.Emmanuel Ringelblum, whose extraordinary journal records events in Warsaw chronologically and meticulously from January 1940 to December 1942, notes that some considered Czerniaków "a martyr... honestly fulfilling his duty... an idol... [whose] word is command." Ringelblum himself, however, deemed him "incompetent" and "weak": "The suicide of Czerniaków—too late, a sign of weakness—should have called for resistance—a weak man."5 Janusz Korczak, on the other hand, who ran an orphanage in the ghetto for 200 children, was far more sympathetic toward Czerniaków, one of his close friends who also had a passionate interest in children's welfare. Korczak, whose diary, unlike Ringelblum's, is inward and abstract, does not speak openly about the Jewish Council. But Korczak was horrified by the death of children in the ghetto. Like Czerniaków, Korczak carried cyanide, but he chose not to take it. Unwilling to abandon his orphans and convinced of their individual dignity, he wanted to prepare them for their inevitable demise. To this end, just three weeks before they were all deported, Korczak had the children perform Tagore's The Post Office in the hope that they might thereby welcome death and not be afraid of it.6 Korczak's... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:183, IMPRESSIONS AND EXPERIENCES: PUBLIC OR PRIVATE? In his 'Perceptions and Persons' William Davie aims "to determine what perceptions are for Hume." He challenges what I trust that he is right in labelling "The Standard View." His statement of this view is quoted from my Hume's Philosophy of Belief:... Impressions are defined as constituting with ideas the class of 'perceptions of the mind. ' While wine must be (logically) (...) public, the impression of wine like the idea of wine must be (logically) private. Whereas the presence of wine tautologically guarantees the presence of wine, the occurrence of an impression of wine is by no means a sufficient condition of the presence of wine — because an impression of wine, but not of course real wine, may be hallucinatory. Impressions belong to the category of experiences: wine2is cellared in that of physical things. My own purpose now is to defend, against attacks recently launched not only by Davie but also by Donald Livingston, this standard view. Davie contrasts it with "my own view, which is that perceptions are the things that we know, both private and public" (p. 130). He shows no signs of recognizing either how revolutionary his present suggestion is, or how revolutionary Hume himself would have been were any such suggested interpretation correct. For this particular "Standard View" is not one first introduced by me a couple of decades ago, and later misguiding even such usually sound scholars as Terence Penelhum. Instead it seems to have been accepted by almost if not absolutely all earlier writers discussing this part of Hume's philosophy. For instance: if Davie is right, then Thomas Reid must have devoted most of his professional life to the dismembering of a straw man. "Reid," as Livingston remarked in his Introduction to Hume: A Re- 184. evaluation, "took Hume's work to be a reduction to absurdity of a philosophical hypothesis which began in modern times with Descartes.... 'The hypothesis I mean is, that nothing is perceived but what is in the mind which perceives it....'" Again: if Davie is right, then Hume is here breaking from all his immediate predecessors in a revolutionary way, and in a direction which ought to have made the revolution welcome to Reid. Yet Hume himself gives no hint of this radical new beginning. Instead he goes out of his way to note a merely verbal innovation: by his introduction of a new use for the term 'impression' the word 'idea' is restored "to its original sense, from which Mr. Locke had perverted it, in making it stand for all our perceptions" (T2 fn.). The class of Lockean ideas, the class which Hume is thus studiously subdividing into the subclasses of Humean ideas and Humean impressions, contains, surely, nothing but what is logically private? Certainly no other interpretation of Locke's words would seem to be possible. He scarcely could have put the point more clearly or more emphatically than he does in the introductory first chapter of An Essay concerning Human Understanding. He says there that he is going to investigate "those Ideas, Notions, or whatever else you please to call them, which a Man observes, and is conscious to himself he has in his Mind...." Locke also apologizes for his frequent employment of "the Word Idea, " excusing it as necessary "to express whatever is meant by Phantasm, Notion, Species, or whatever it is, which the Mind can be 4 employ'd about in thinking...." Only and precisely in this understanding of the nature of ideas was it possible for Berkeley to open The Principles of Human Knowledge with a single sentence asserting everything which Reid was so correctly concerned to deny: 185, It is evident to any one who takes a survey of the objects of human knowledge, that they are either ideas actually imprinted on the senses, or else such as are perceived by attending to the passions and operations of the mind, or lastly ideas formed by help of memory and imagination, either compounding, dividing, or barely representing those originally perceived in the aforesaid ways. In face of all this, how is it possible to maintain that, for Hume, "perceptions are the things that we know... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Ethics & the Environment 8.1 (2003) 51-56 [Access article in PDF] KarraKarrawirraparri-River Red Gum-Eucalyptus Camaldulensis Vivonne Thwaites [Figures]Karra was a visual arts project devised for the 2000 Adelaide Festival in Australia. Its focus was the River Red Gum, quite justifiably an Australian icon, and once the most widespread tree in south eastern Australia. The project comprised an installation by three artists and a forty-page publication with essays and visual (...) material from many contributors.The intention of the project (which I developed and oversaw as curator) was twofold. First, I hoped that an examination of the River Red Gum from a number of points of view might help people connect with the tree itself, and more broadly with this place non-Aboriginal Australians so uneasily inhabit. Second, given the tree's central place in Australia's inland waterways, I wanted the art to help people consider the urgent problems facing this ecosystem, such as increased salinity, diminished water flow and environmental degradation. This subject had particular relevance for South Australians, as our state is so dependent on the Murray-Darling River system. For example, in February 1999 the Commonwealth Scientific and Industrial Research Organisation published a media release on "Salt: Australia's Greatest Battle," declaring that we stand to lose a large fraction of our native biodiversity to salinity, and that native tress "remain the front line answer." [End Page 51]Behind the Festival Centre lies the River Torrens and the Adelaide Plains. Along the river are several gnarled old trees, River Red Gums, some of them predating white settlement and bearing the scars of Aboriginal timber collecting activities. The media was full of stories about the way these trees were still being cut down along the Murray further out, regardless of their proven value in filtering water and reducing salinity. The theme of the 2000 Festival was "The New Out of the Old," and it seemed that a project about the relevance of these beautiful old trees would help educate and inspire. We found the subject for the Festival project right in our own backyard.Once committed to the subject, research could begin. First up was the tree's Aboriginal history. The Kaurna people, original inhabitants of the Adelaide Plains, called it Karra or more fully, Karrawirraparri (literally 'redgum-forest-river'). The tree was central to their lives as source of food and shelter, and supplier of timber for shields and other implements. There are incised shields of Red Gum in the South Australian Museum, and delicate drawings of the tree by Jim Kite. The tree's place in Australia's white history can be traced back to explorer's journals where, variously named, it was described as a welcome sign of the presence of a watercourse. More recently it appears in the natural history writing of Eric Rolls and others (Rolls 2002). Ironically the tree's botanical name, Eucalyptus camaldulensis, originated in 1832, when a botanist admired and named a single specimen grown by monks outside Naples, Italy. The eucalyptus was already spreading in 1832.Early in the research it became clear that the Red Gum tree, and the complex set of natural and cultural interactions it engendered, could be seen as a symbol of human interactions with the land in Australia. The tree was much discussed and much loved by Australians, but also much abused. It seemed that bringing together different systems of understanding and representation of the tree could help contemporary urban Australians begin to understand their own connections to it, and to the land as well. This was the broader cultural agenda of the project.Preparing the art exhibition required a wide reading of literature. Les Murray's poem, "The Gum Forest," one of the greatest 20th - century Australian poems, was inspirational: After the last gapped wire on a post, homecoming for me, to enter the gum forest. (1998, 33) [End Page 52] [Begin Page 54]So too was Murray Bail's book Eucalyptus: By sheer numbers there's always a bulky Red Gum here or somewhere else in the wide world, muscling into the... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:On Buddhist-Christian Studies in Relation to DialogueFrancis V. TisoIn taking on the task of co-editing Buddhist-Christian Studies, it would seem appropriate to provide some background by way of introduction. Being a disciple of Brother David Steindl-Rast, O.S.B., a man who refuses to sign his name with capital letters, since the late 1960s, it goes against my grain to write too much about myself. Therefore, the following comments are meant (...) also to serve as a foreword to the current issue.My own background in Buddhist-Christian studies has its roots in ongoing collaboration with Br. David, who will be remembered for his decades-long study of Zen and his affectionate rapport with the San Francisco Zen Center community, among others. I later studied interreligious dialogue and its theological implications with George Rupp and Harvey Cox at Harvard Divinity School. In order to let my studies sink their roots into contemplative soil, I served as Br. David's assistant at the Benedictine Grange and then went on to edit theological books at the Seabury Press in New York. Thanks to the kindness of the late and revered Alex Wayman, I was able to complete a doctorate in Buddhist Studies at Columbia University and Union Theological Seminary, where I gained some ability to work with Pali, Sanskrit, and Tibetan. I sought additional tutorial guidance from José Pereira of Fordham University, a polymath scholar deeply appreciated for his extraordinary ability to introduce students to the intricacies of Sanskrit literature. Our lengthy conversations about the Baroque Scholastic Catholic theologians formed my eagerness to welcome at least three of the articles in the current issue of BCS. After the doctorate, I continued to pursue study and contemplative practice in Europe and Asia, developing collegial friendships, especially with members of the International Association for Tibetan Studies. In 2003, M. R. John C. Wester, auxiliary bishop of San Francisco, asked me to participate in the Northern California Zen/Ch'an–Catholic Dialogue that had arisen from earlier dialogue programs in various monastic milieux such as Gethsemane and New Camaldoli. In the context of that dialogue, I was asked to serve the United States Conference of Catholic Bishops as associate director of the Secretariat for Ecumencial and Interreligious Affairs in Washington, DC, in 2004.Given this ongoing interplay in my own life between scholarly research and contemplative [End Page iii] practice, it is my hope that BCS will continue to nurture the same interests in its readership. Good scholarship and commitment to the goals of spiritual inquiry should also enrich the dialogue between Buddhists and Christians in various parts of the world. In a recent publication,1 Taigen Dan Leighton describes Dogen's methods with regard to reading: "So in addition to just reading through this material, the student of Zen may likely want to chew slowly at times, find pieces that are especially provocative, stimulating, or unsettlingly challenging, and take a while to consider, reflect, and digest." This is exactly what the Christian contemplative does in lectio divina. Moreover, to persons inclined to this kind of inquiry, even scholarly research gives rise to creative and, at times, truly contemplative insight. Thus even a journal committed to scholarship might find comfort in the "apophatic" methods of Buddhist or Christian contemplatives. Taigen reminds us that Zen sitting practice (zazen) is not the suppression of content. In fact, understanding is expected:Dogen is clearly not recommending zazen as mere blank, mindless sitting. Although he frequently criticizes practice concerned with achievement, or with reaching for particular schematized stages of development, Dogen regularly asks his monks if they thoroughly understand. He is suggesting a practice that is informed by intense inquiry into the ancient teachings, sayings, and dialogues, as well as into our present immediate experience. Throughout formal meditation as well as in our everyday activity, Dogen encourages vivid attention and awareness.In practice, this is nothing less than the interactive application of the principles of the great teachings on emptiness. As a method, the philosophical analysis of emptiness came to have an enormous impact on the Ch'an and Zen traditions; it was a method of "negation" in the sense that it could be... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviews 91 THE ROOTS OF MODERN LOGIC ALASDAIR URQUHART Philosophy/ U. ofToronto Toronro, ON, Canada M5S IAI [email protected] I. Grattan-Guinness. The Searchfor Mathematical Roots,r870--r940: logics, Set Theoriesand the Foundations of Mathematicsfrom Cantor through Russellto Godel Princeron: Princeton U. P.,2000. Pp. xiv,690. us$45.oo. Grattan-Guinness's new hisrory of logic is a welcome addition to the literature. The title does not quite do justice ro the book, since it begins with the (...) prehistory of English work in algebraic logic, including the work of the French analycicalschool, and extends to just after Godel's great incompleteness paper of 1931.The core of the book, though, is the philosophical and mathematical developmems leading up to and immediately following from chework ofWhicehead and Russell.Russell is ac chehearcof che book, and as a whole che hisrory forms an imporranr conrribucion ro Russell scudies. Commemarors on Russell have often confined themselves to a rather narrow hisrorical perspeccivein which Russell is seen as the (problemacic) heir of Gottlob Frege, and few ocher hisrorical figures (ocher than Peano) emer imo che picture. Graccan-Guinness corrects chis hisrorica.limbalance by placing Russell in che mucl1 wider context of the development of machemacics on che continent, and in parricu.laremphasizing strongly che key influence of Camor on 92 Reviews Russell's work. Cantor has usually received short shrift from philosophers, as unlike Frege,he appears rarher naive from rhe philosophical point of view. The story proper begins in Chaprer 2 wirh L-igrange'sversion of analysis in which rhe basic concepts were to be defined in rerms of algebraic manipularion of power series. This lead to rhe founding of rhe Analyrical Socierywhere Babbage, Herschel and Peacock were active. It is in chis English tradicion of algebraic analysis char rhe pioneering work of De Morgan and Boole found irs roors. Grarran-Guinness givesa derailed account of the work of both logicians, although his discussion of Boole's merhods does not seem entirely adequate. The question is:what are we to make of Boole'spuzzling insistence chat expressions like x + y are "uninterpretable", while he nevertheless manipulated them freely in his mathematical derivations? It is not correct to say that the addition sign can only link disjoint class symbols, since ir is belied by Boole's formal pracrice. A possible solution has been suggested by Hailperin, in his book on Boole's logic, in which he proposes interpreting the "uninterpretable" expressions as denoting signed mulrisets. Oddly, Grattan-Guinness refers to Hailperin 's work,' bur elsewhere (p. 42) adopts rhe view that Boole's addition sign could only link disjoint classes.The chapter concludes with brief accounts of the work of Cauchy, Weierstrass and Bolz.'lno. The next chapter is a detailed account of rhe work of Cantor and his creation of Mengenlehre. The origins of set theory in the theory of trigonometrical series, and rhe ensuing discoveryof rransfinire ordinal and cardinal numbers, are described clearly and succinctly. In addition, the chapter contains an account of Dedekind's philosophy of arithmetic and Cantor's philosophy of mathematics. Cantor's philosophy is an uneasy blend of formalism, platonism and idealism, and has tmderstandably aroused little enthusiasm among philosophers of matl1ematics, alrhough Michael Hallerr has recently smdied it in detail. GrammGuinness emphasizes, rhough, Cantor's magnificent marhematica.l achievements, in defining and clarifying basic conceprs such as measure, dimension and cardinality of sets. Chaprer 4 is a rather miscellaneous chapter, in which six partly independent, partly interrwined stories are told. It begins with developments in sectheory in Germany and France up to the turn of rhe century, goes on to discuss American logic in rhe work of C. S. Peirce and his students, and continues the rheme of algebraic logic with Schroder and his logic of relatives. The remainder of the chapter is given over to Frege, Husserl and Hilbert. The section on Frege is one of rhe more idiosyncratic parts of the book. Grattan-Guinness distinguishes berween Frege, "a mathematician who wrore in ' T Hailperin, Book's logic and Probability, 2nd ed. (Amsterdam: North-Holland, 1986). Reviews 93 German, in a markedly Platonic spirit", and Frege, "a philosopher of language and founder of... (shrink)

Kathleen Dow Magnus' Hegel and the Symbolic Mediation of Spirit is a welcome exposition of the role of the symbol in Hegel's philosophy, and it is an important contribution to scholarship on Hegel's philosophy of language, aesthetics, and theology. Magnus is concerned to provide an alternative to the view that Hegel fails to recognize the value of the symbol in the course of privileging the sign. As Jacques Derrida writes, "The sign, as the unity of the signifying body and the (...) signified ideality, becomes a kind of incarnation". Magnus' accords Derrida's perspective the seriousness it deserves, while considering it within a close reading of Hegel himself. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Future Is Political and TransdisciplinaryAwais Aftab (bio)Philosophy, psychiatry, & psychology (PPP) is a transdisciplinary oasis, one of the few journals in mental health care that facilitate a meaningful dialogue between philosophers, psychiatrists, psychologists, and scholars from related disciplines. The fact that PPP successfully provides such a space is of no small importance, especially from my perspective as a psychiatrist. The multidisciplinary nature of the undertaking has been a (...) central aspect of the identity of the journal from the very beginning. PPP has maintained this transdisciplinary inclusive spirit over the years, and its editorial and advisory boards remain richly representative, but the challenge of ensuring continued participation of clinicians is not insubstantial. After all, the point is not token participation, but a robust and transformative interdisciplinary engagement. Clinicians have much to contribute to philosophical debates, however, such capacity for dialogue requires sustained cultivation (Aftab & Waterman, 2021), and forces in medical education have led to a situation where comparatively fewer psychiatrists have the interest or the ability to engage in such rigorous dialogue with philosophers. Philosophy of mental health has grown and specialized exponentially since the mid-90s. Keeping up with this literature is difficult even for philosophers, it is no small feat for full-time clinicians.This means that PPP and its affiliate organizations have a responsibility to take a more active role in supporting educational initiatives to ensure that future generations of psychiatric clinicians are able to contribute to philosophical debates, and that philosophy of psychiatry does not become divorced from clinical and practical concerns. My advice to clinicians based on my experience would be two-fold: first, it is essential to acquire a basic familiarity with the philosophy of psychiatry literature. Aftab and Waterman (2021) offer a sample list of reading recommendations. At the time of this writing, the International Network for Philosophy and Psychiatry is also undertaking efforts to develop curricula aimed at clinicians. Second, it is important to find ways to interact with others in the philosophy of psychiatry community. Formal avenues to do so include the annual meetings of the Association for the Advancement of Philosophy and Psychiatry and the Philosophy Special Interest Group of the Royal College of Psychiatrists, among others. There are also various online communities active on social media that many find helpful.In recent years, we have seen an unprecedented enthusiasm and support for inclusion of lived experience in mental health care. This is a welcome and much needed development, but we are only just beginning to scratch the surface of [End Page 5] how to philosophically navigate this inclusion. Frameworks such as standpoint epistemology and epistemic justice offer us starting points (Knox, 2022), but much remains to be worked out (Aftab, 2022). There are notable philosophical challenges, such as ascertaining the limits of lived experience, and the biases and errors to which it is vulnerable; the application of scientific method and philosophical criticism to lived experience; methods to resolve disagreements when different forms of lived experience contradict each other; handling discrepancies between knowledge from lived experience and knowledge from other sources be handled; and analyzing the intersection of politics of lived experience with other differentials of power. I anticipate that these topics will be of central importance to the field and to the journal in the coming years.It is also vital that philosophy of psychiatry engage with the sociopolitical dimensions of madness (Kalathil & Jones, 2016). The failure of philosophy to do so in a meaningful way has already been articulated powerfully by commentators such as Nev Jones (2022). An important aspect of acknowledging philosophy's failures in this regard comes from the notion of "elite capture," recently popularized by Olúfẹ́mi O. Táíwò (2022). It refers to how progressive philosophical ideas such as standpoint epistemology are co-opted by the "elite" to serve their own ends. Discussions on social media have already begun to point out that concepts in philosophy of psychiatry such as "epistemic injustice" show signs of elite capture by the psychiatric establishment, resulting in token participation but no systemic changes. Philosophy of psychiatry needs to tackle its own vulnerability to co-option. This will require creative forms of philosophizing and engagement with... (shrink)

The purpose of this book is to illustrate the heuristic power of semiotics for the interpretation of texts. It oscillates between two poles: the concrete practical pole of encounter with specific texts and the theoretical pole of constructing a model for thematizing both the role of the reader and the structure of the text itself in the creation of meaning. The book consists of eight previously published, but widely scattered, essays of one of semiotics' most talented proponents, and it offers (...) a welcome supplement to the materials contained in his A Theory of Semiotics, whose goal was a systematic overview of the whole field of sign theory. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:BreathrenKatherine Ibbett (bio)The French Reformation and its aftermath was a battle over breath: literally so, as a matter of life and death, but also because it represented a battle over the Holy Spirit, Saint Esprit, from the Latin spiritus, breath. Over decades of conflict both Catholics and Protestants claimed divine inspiration, arguing that they and only they were breathed on in the way Christ breathes on the apostles when (...) he asks them to receive the spirit (John 20: 22).On the Protestant (Huguenot) side of these early modern disputes, the term esprit is often displaced by a more vernacular and more bodily breath, souffle, so that God blows on his chosen people a little in the way his chosen people might blow on their soup. Souffle renders spirit as something humanly familiar, if still exemplary. In his account of the life and death of Jean Calvin (1564), the Protestant historian and polemicist Théodore de Bèze writes of breath as the last remaining sign of Calvin's presence: the day before his death Calvin is so weak "qu'il ne luy restoit plus que le souffle," ["only breath remained"] but he tells his followers nonetheless that he is still "uni d'esprit" ["joined in spirit"] with them. Like Christ's, Calvin's souffle and spirit inspired many, and the Protestant minority, under increasing and violent pressure from the Catholic state, met his example with a last gasp of their own. The term "souffle" is everywhere in the martyrologies of the many Calvinists executed by Catholics over the following century and more, which insist repetitively on the victim's praise of God "to the last breath."French Protestants also imagined breath as a political metaphor, frequently presenting the minority's right to live on French soil as a right to breathe, some sort of jus spiri: the late seventeenth-century Protestant historian Élie Benoist writes that Catholic violence turned "le Plaisir naturel de respirer l'air du païs natal en une espece de joug servile" ["the natural pleasure of breathing the air of one's own country into a kind of servile yoke"]. This frequent rhetoric of bad air gets re-ventilated in Benoist's account of the Refuge, the period after 1685 when Protestantism became illegal in France, at which point Huguenots fled in hope of what Benoist hopefully calls the "abundance" of air found on welcoming shores elsewhere. [End Page 163] The more upbeat refugee writing somewhat breathlessly celebrated the "change of air" that transnational solidarity brought about. Bref: breath is central to the Huguenot imaginary.A more painful formulation comes in one of the pamphlets that circulated from the 1660s on, throughout Protestant Europe, asking for new air to breathe. Many of these calls for international aid insisted on the sheer miracle of continued Protestant bodily existence, sketching a sort of Protestant vita nuda. A 1667 text published in parallel French and German recounts the misery of the Protestants banned from professional positions and living only "la vie, c'est à dire, un triste soufle qu'ils tirent de leurs tristes coeurs affligez" ["life, that is to say, a sad breath/sigh that they pull from their sad and afflicted hearts"]. But where Agamben's notion of bare life marks the extreme form of a particular model of Western sovereignty, imagining bare life as helpless and voiceless against sovereign power, the Protestant lifebreath is highly strategic, performing its bareness so as to imagine a new political role. The Protestant life retains and performs a "soufle" for its international audience, taking a breath before it speaks, eventually allowing for a new articulation of a Protestant voice that speaks multiple languages and can make itself heard internationally. In response to that voice, in the organizing of English and Dutch and German responses to Huguenot suffering, came a new organization of transnational political community. During the years of the Refuge, at a moment when European neighbors were prepared to take in refugees, the "poor breath" of the Protestant eventually makes room for a new kind of breath-ren. May their history breathe on us again today. [End Page 164]Katherine IbbettUniversity of OxfordKatherine Ibbett Katherine Ibbett... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Penelope Polutropos:The Crux at Odyssey 23.218–24Hardy C. FredricksmeyerFor my father, dear friend, and mentor,E. A. FredricksmeyerSince Aristarchus, scholars have considered Penelope's comparison of herself with Helen and apparent exoneration of her for adultery, at Odyssey 23.218–24, both illogical and inappropriate. Consequently, most previous scholarship has either rejected these lines, or emended them, or explained them in terms of psychological realism.1 I believe that a better understanding can be gained (...) by focusing on the unifying theme of knowledge throughout Penelope's speech, rather than on adultery, as scholars have previously done, and by taking into consideration the typically Homeric concept of "double motivation."2 By this approach Penelope's self–comparison with Helen appears entirely logical. At the [End Page 487] same time, previous scholars are right that Penelope's self–comparison with the world's most notorious adulteress retains a tone of inappropriateness. I account for this apparent inconcinnity, however, by distinguishing between two different levels in Penelope's speech, in accordance with modern narratological approaches.3 On one level Penelope's speech serves her own rhetorical goals, on another those of Homer. Together these two levels suggest for Penelope alternate and mutually exclusive scenarios of loyalty and adultery. Previous scholars have misinterpreted Penelope's speech in part, I believe, because they have failed to appreciate the interplay between these two narrative levels.After treating Penelope's self–comparison with Helen in its immediate context, as outlined above, I consider how it echoes the themes of Odyssey 4.235–89, which also work on two narrative levels and offer for Penelope conflicting scenarios of behavior by linking her with Helen. Both passages, in turn, fit into a larger pattern in the Odyssey which marks Penelope's potential to behave negatively toward Odysseus. This pattern most likely alludes to an Arcadian tradition which makes Penelope and Helen cognate mythological types. Yet in the end Homer confirms that in actuality Penelope remains loyal. I suggest that the poet thus alludes to and denies an epichoric tradition that blames Penelope above all in order to stress that she had real alternatives.Penelope's SpeechPenelope's homecoming speech to Odysseus, in which she explains to him why she did not immediately welcome him, and why she tricked him into revealing intimate knowledge of their bedroom, can be divided into three sections. In the first (23.209–17), Penelope asks Odysseus not to be angry at her delay in welcoming him, "for always I feared that some mortal would come and deceive me with words" (215–17).4 The term "always" (), at the beginning of this statement, is then picked up not by Penelope's self–comparison with Helen in the middle section (218–24), but rather by the terms at 225, which introduce the third and concluding section of Penelope's speech (225–30): "But [End Page 488] now, since you have indicated to me the clear signs of our bed... you have convinced my mind, though it is unbending." The first and third sections of Penelope's speech thus address Penelope's insistence on correct knowledge: 215–17 concern a fear of deception which induces her to have particularly rigorous standards of proof—her "unbending mind"—standards that are satisfied by the conditions outlined in 225–30.It is between these grammatically coordinated statements concerning her fear of deception () and her certainty about Odysseus' identity () that Penelope says:"Not even Zeus' daughter, Helen of Argos,would have made love with a stranger,had she known that the warlike sons of the Achaeanswere going to bring her home again to her dear fatherland."(Od. 23.218–21)Scholars have objected to these lines above all because Helen was not deceived into betraying her husband, as Penelope feared that she herself would be. But insofar as knowledge is central to the first and third sections of this speech, the contrast between Penelope and Helen becomes the very point of her illustration rather than an inconsistency. The point of comparison is that the fidelity or infidelity of both women depends on their possession of an essential knowledge, that of Odysseus' true identity in... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Valerius Maximus and the Rhetoric of the New NobilityPatrick SinclairW. Martin Bloomer. Valerius Maximus and the Rhetoric of the New Nobility. Chapel Hill: University of North Carolina Press, 1992. viii + 287 pp. Cloth, $39.95.A new book on an imperfectly understood and neglected author is always welcome, and without a doubt this one makes a valuable contribution to our understanding of Valerius within the cultural and social conditions (...) in which he lived. The virtue of Bloomer’s work over earlier studies lies in his impulse to view Valerius’ collection of exempla as conditioned by the needs of its readers. Bloomer correctly emphasizes that Valerius’ stories largely derive from a common stock of episodes and anecdotes that was cultivated throughout the education system and especially by the declaimers. Bloomer scrutinizes the rhetorical structure Valerius gives to his individual exempla and his work as a whole, since it is in this structure that one sees the authentic stamp of Valerius’ own interests and, presumably, those of his readership. Bloomer sets out to use the evidence for Valerius’ method of organization, his handling of politically sensitive subjects, and his overt statements of his purpose to interpret Valerius’ work within its cultural context. But there are signs that Bloomer’s methodology may be at odds with itself—a conflict, moreover, that arises from and reflects the current rift among professional classicists about the relationship of traditional philological methods of analysis to the newer criteria of cultural studies (a subject much too large to address in this review).Bloomer has organized his book into six chapters with titled subdivisions, a bibliography, and an index. The first two introductory chapters are the most successful in reconciling methodologies. In chapter 1 Bloomer sketches what we know of the life of Valerius, describes his work, and characterizes the milieu in and for which Facta et Dicta Memorabilia was composed. Bloomer’s initial description of Valerius’ endeavor as one of “culling 967 stories from various authors and arranging them under categorical headings” (1) catches the ancient author in what is his most significant activity for Bloomer: excerpting, abstracting, shaping, and labeling exemplary anecdotes for the uses of declaimers. Bloomer discusses the scanty autobiographical information Valerius supplies at 2.6.8, but he is more interested in discerning the type of audience which must have been interested in Valerius’ collection of exempla. Bloomer’s view is that Valerius [End Page 151] wrote for “students and practitioners of declamation” (1), for whom he “provided a stock of rhetorical illustrations” and whom he taught by the example of his text how to “introduce, join and conclude such stories” (2). One might well have compared the no less exemplary habits of M. Porcius Latro, the elder Seneca’s paragon of declaimers in his generation. Latro (“Pilferer”?) controlled in his memory a prodigious cache of rhetorical structuring devices, including epiphonemata, enthymemes, commonplaces, and sententiae, and he regularly rehearsed these for deployment in his declamations (Controv. 1 praef. 23). More mention of Valerius’ relation to “flesh and blood” declaimers like Latro would give a fuller picture of his historical context.Bloomer identifies Valerius’ subject as the “classical past,” through which he conveys “the sensation of human nature observed, condensed, and communicated, all in an elevated if at times abstract Latin prose style.” Valerius’ work attests to the success of declamation at Rome, and it serves the practical needs of its readers in its attempt to alleviate the burden of acquiring a compendious knowledge of classical texts by serving as an abbreviated “vehicle of instruction and acculturation into the elite of Tiberian Rome” (4). Now tailoring oneself to the political and cultural climate of Tiberian Rome could involve a certain amount of risk and require a large measure of compromise, to judge by the accounts of the ancient historians. Tacitus documents several declaimers who rose socially through Sejanus’ sponsorship (e.g., Junius Otho and Bruttedius Niger, Ann. 3.66). After the fall of Sejanus, an eques Romanus named M. Terentius drew the conclusion that “tibi [sc. Tiberio] summum rerum iudicium di dedere, nobis obsequii gloria relicta est” (Tac. Ann. 6.8.4; Dio 58.19). This was the lesson of those... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:BOOK REVIEWS 151 highly conscientious translator, and a sign of this are the Latin-English and English-Latin glossaries that are appended at the end of the work. The glossaries show how he has tried to remain consistent in his choice of terms and how he decided to render difficult terms like ratio and esse, which cause every translator of Aquinas problems. One could complain, however, that these nine pages of (...) glossary are not quite complete enough. A few missing entries, for example, are ' individual ' (which is used to translate concretum, suppositum, individuatum, and particufuris), ' subiectum ' (translated " substance " and " subject "), and' modus'. The briefest of bibliographical notes and an index complete the work. Here one might want to register a more serious complaint. The bibliographical note is much too brief to he especially helpful. The beginner could use some more suggestions about what to read as a follow-up to Martin's hook. All in all, this is a collection of readings from Thomas Aquinas one would like to see stay in print for a long time to come. Many who teach the thought of Aquinas in the round will want to make use of this work. And, by reading this work, philosophy students to whom Aquinas is an unknown will make a good beginning in becoming di· rectly familiar with one of the greatest of minds. ROBERT D. ANDERSON Saint Anselm College Manchester, New Hampshire Being and Order: The Metaphysics of Thomas Aquinas in Historical Perspective. By ANDREW N. WOZNICKI. Catholic Thought from Lublin. New York: Peter Lang, 1990. Pp. 309 + xiv. This first volume bodes well for the new series Catholic Thought from Lublin, because the author of the hook is also the general editor of the series. Father Woznicki has here produced a welcome addition to those worthwhile hooks exploring the philosophical vision of St. Thomas in depth and comparing and contrasting that vision with other philosophical outlooks. Such studies are important not just for Thomists hut for all who are interested in the thought of the Angelic Doctor. On the first page of his Foreword, Woznicki announces that being and order are so inextricably interrelated that it is absolutely impos· sihle to understand one without the other. With thorough scholarship and impressive depth, Woznicki hacks up his claim. The Foreword also includes Etienne Gilson's marvelous statement: "Metaphysics al- 152 BOOK REVIEWS ways buries its undertakers." Not only does Woznicki probe profoundly into St. Thomas's metaphysics but he shows with an enviable clarity what is metaphysically lacking in philosophies as diverse as those of Duns Scotus, William of Ockham, Descartes, Kant, and Whitehead. Woznicki's goal in this well documented study is to discover the order present in the very structure of being as being. In examining the concept of being itself, he claims that being can reveal itself in its inner disposition of both essential and existential characteristics only as something in which essence and existence are related to each other reciprocally and mutually. The Lublin Thomist distinguishes the predicamental and the transcendental modes of predication. While in the predicamental mode of predication a predicate is added to a being as its determining principle, in the transcendental mode of predication nothing can be added to a being as an extraneous nature, in the way that an accident is added to a substance or that a difference is added to a genus. (These additions cannot take place because every nature is essentially being.) The distinction between the two modes of predication permit the formulation of two kinds of concepts, namely, the predicamental and the transcendental. The former describe various grades of being which match different modes of being and so reveal.the various genera of being; the latter in depicting being in its universality express more clearly what is contained in the nature of being as such. A predicamental order of being is established through the predicamental concepts' description of being by its essential characteristics ; a transcendental order of being is established through the transcendental concepts' description of being as expressed by the existential characteristics of esse. While in the predicamental order the emphasis on the essential aspects reveals being as it is expressed in... (shrink)

A little while ago I thought the ontological argument dead and buried beyond any possible hope of resurrection and no philosophical event has caused me much greater surprise than its revival by a member of the very linguistic school to whose line of thinking it seemed most alien and who were held to have given it its quietus once for all. I am tempted to welcome any relapse into metaphysics by a member of this school as being some sign of (...) grace, but on this issue I must for once take sides with the prevailing tradition against at least this kind of metaphysics. Let me make clear, however, what it is I am combating. The term ‘ontological argument’ has been used for arguments which its original supporters would certainly not have recognised as theirs. It has been used for instance to stand for the claim that it is an essential presupposition of thought that what we must think is true of the real, a claim which could not be used to prove the existence of God unless we had available another proof that we really must think that God exists. It has been used for kinds of ‘idealist’ arguments which I do not want to discuss here. It has been used for the argument that the idea of a perfect being cannot be explained as derived from any other idea and must therefore be explained as produced in us by a being who really is perfect, an argument which appears in Descartes side by side with the ontological argument but which he carefully distinguishes from it. (shrink)